Sean Halliman entered heritage on a work placement and learnt skills on the job. He's now a gallery attendant, working closely with visitors – even greeting royal guests.
International museum loans are important for making money for the heritage industry. Lindsey Breaks explains the work that goes into organising international exhibitions and how she got started.
Sarah mixed her passion for working with children with learning in a gallery. She shares the moment that she knew that heritage learning was the right career for her.
Community Learning Officer, Zoe Carmichael, plans community programmes for families and young people at the Horniman Museum. She gives three ways to help you get involved in community learning.
Rachel is the Head of Exhibitions at the Imperial War Museum North. She describes how she rose to manage the exhibition department and shares three ways to enter into exhibitions.
Molly engages visitors with exhibitions on the Second World War, working with the world's oldest holocaust collection. She explains the ways that working with the archive is keeping her busy.
Karena worked in fashion retail before joining heritage at Birmingham Museum. She now runs the gift-shop and chooses the latest products to hit the shelves.
Catherine Haines is the Head of HR for nine cultural institutions in Birmingham. She shares what she does in her job and how to get started in HR.
Peter Sillitoe is the Research Associate for the Shalt Project (Shakespearean London Theatres). He explains how he got into research and the path he chose.
Bernard manages the broad field of Intellectual Property at the National Portrait Gallery. He shares the importance of protecting the collections and his advice on entering in this career.
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