70 careers advice results in total for Backstage Music
Rob Lloyd's journey into technical management started with him doing "bottom of the pile" work in theatre, but evolved into roles with much greater responsibility as he rapidly gained new skills. He eventually sidestepped into the music industry. Read more about his career.
Stage manager Josh has worked at the O2 Academy Brixton for 21 years, but his history of backstage work goes back even further. He told us about his career, from touring with Motörhead to applying farming skills to festival work, and gave 3 tips for becoming a stage manager.
From school assemblies to the 2012 Olympics, Miles has been working his way up in a backstage career since he was 15. He talked to us about his journey and gave some top tips for working backstage.
Working in technical theatre and live events is fun, fast-paced and rewarding. If you're curious about careers in this area, there's good news: we need more skilled technicians in lighting, sound and stage, and available routes in are changing for the better. Here are 4 things employers in the industry are actually looking for.
Have you ever gone to a gig and wished you were working on it? Or maybe you’ve gone to a festival and wondered how it was all put together? Live music is a huge part of the music industry and there are lots of opportunities for getting involved.
Music producer Eric Lau started out studying business. When a personal tragedy changed his outlook on life, he found his passion in music. Read about how he ended up excelling in the music industry.
Rolf Dragsta has been a piano tuner and technician for over 40 years. Here he shares some thoughts on the the profession, including why these skills are becoming increasingly sought after. You can also see him in action in this short film.
Seiso, Mpho, Letsebela and Wandile are technical production trainees for the South African Roadies Association, which provides young people with training and employment skills for the music tech industry. They discussed their experiences of working and learning so far.
Glenn Hazard, David Bath and Kate Townley are apprentices in the Create Gloucestershire network, which has over 100 members from across the local arts and cultural sector. They discuss how they got started as apprentices, where they want to go next and offer some tips.
Boomsatsuma desribes itself as ‘the community interest company that's fueling the next creative generation’. Formed in 2009, they have created 13 apprenticeships and internships with funding from the Creative Employment Programme. We met with some of their young staff to talk about how they've found it.
Holly Haste works as an apprentice for Neon Street where she runs events, oversees projects and researches new musical talent. She told us about what her apprenticeship involves day-to-day, while her employer outlined his experiences of taking on an apprentice.
Oliver is an electrician by training, but his love of theatre led him to a career at The Crescent Arts Centre. Oliver takes care of sound, lighting and sets for a broad range of the centre’s clients.
Brian set up Production Services Ireland (PSI) in 1996 to meet the growing needs of the industry. Now Northern Ireland’s leading technical production company, they provide lighting for events such as Tennents Vital, Giro D’Italia and Riverdance production in China.
Jonathan started out in performance but worked his way up into a technical career. He has worked for festivals, the 2012 Olympic Games and live events venues.
Between rigs, fresnels and gobos, stage lighting can seem endlessly complex to those of us starting out. We’d be lying if we said it was simple, but that doesn’t mean you need ‘expert’ status in order to effectively light a dramatic scene or performance.
Steve started out as a trainee tape operator in 1975. He went on to become an award-winning producer, working with the likes of the Beach Boys and Culture Club. He talks about his journey in production.
Ceurywn Humphreys talks about learning events management as an apprentice with It’s my Shout Productions.
Simon Lovelace, founder of technical crew training company Crewclass, has seven tips for finding backstage technical work.
Building sets, helping create props and operating equipment, the backstage crew support the designers and performers with the running of the show.
Sound technicians and engineers are responsible for everything about what a production physically sounds like. They often also work closely with designers.
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