65 careers advice results in total for Production
Working in technical theatre and live events is fun, fast-paced and rewarding. If you're curious about careers in this area, there's good news: we need more skilled technicians in lighting, sound and stage, and available routes in are changing for the better. Here are 4 things employers in the industry are actually looking for.
Jo Davies became interested in the backstage aspect of the theatre when she was a small child from watching pantomimes with her dad and brother. She explains her career journey, her role as production coordinator for Wales Millennium Centre and offers tips for getting into theatre. Jo won the Theatre Skills Award 2016 alongside Martin Hunt.
Cruze started out studying a technical theatre course and working part time with metal in his family's business. After college, he was able to combine his love of theatre and metalwork by doing an apprenticeship as a scenic metalworker with The Royal Opera House.
Seiso, Mpho, Letsebela and Wandile are technical production trainees for the South African Roadies Association, which provides young people with training and employment skills for the music tech industry. They discussed their experiences of working and learning so far.
Boomsatsuma desribes itself as ‘the community interest company that's fueling the next creative generation’. Formed in 2009, they have created 13 apprenticeships and internships with funding from the Creative Employment Programme. We met with some of their young staff to talk about how they've found it.
DanceEast, based at the Jerwood DanceHouse in Ipswich, is part of the Suffolk County Council Creative Employment Programme consortium. We met up with two apprentices and a marketing officer – who started as a paid intern – to talk about their experiences in the workplace so far.
Gayle Playford is a costume workroom manager and head costume cutter for period drama on TV. Her work has been featured in the BBC Two adaptation of Wolf Hall, among many other screen productions. Here she offers six pieces of advice for a career in costume for screen.
Between rigs, fresnels and gobos, stage lighting can seem endlessly complex to those of us starting out. We’d be lying if we said it was simple, but that doesn’t mean you need ‘expert’ status in order to effectively light a dramatic scene or performance.
Tim had a wealth of experience as a director, writer and editor before he took on the role of creative producer intern at Project Phakama. He talks about getting trained up in backstage arts and offers advice for people who want to work their way into an arts career.
When Troy Fairclough and his sister-in-law decided to stage a one-woman show about jazz legend Billie Holiday, there were challenges to face, along with a tight budget. He recalled the process.
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