193 Creative people in total
Luke is a technical theatre apprentice working on lighting, rigging and sound at Birmingham Hippodrome.
After graduating with a degree in illustration, Sarah Holden decided to focus more on design. She now works as a graphic design assistant and also a print maker, putting on collaborative exhibitions. She explained her role and how to get into design.
Bernard manages the broad field of Intellectual Property at the National Portrait Gallery. He shares the importance of protecting the collections and his advice on entering in this career.
Rachel is the Head of Exhibitions at the Imperial War Museum North. She describes how she rose to manage the exhibition department and shares three ways to enter into exhibitions.
Ellie found an arts apprenticeship opened new doors for her. Now she organises pyrotechnics and staging for outdoor live events.
Rose Durbin is a front-of-house engineer, responsible for running the sound mixdesk at live concerts.
Alex Whelan works as a project officer for Tyne & Wear Archives & Museums. He talked to us about what this heritage career involves, and why doing a paid internship was such a crucial step in helping him into the cultural sector.
For the past 40 years Bryan Grant has been managing director of Britannia Row Productions, who provide audio equipment and technicians for concerts and events around the world.
Daniel Barker works on the 'giving team' at Kew Foundation, fundraising and supporting the Donors. He shares his 5 tips on how to enter this career.
Chris Collins has a long background working with artists in roles that see him travelling the world. He shares what the music industry is really like and why it's a great place to be.
Karen started out working in a clothing factory, training to be a sample machinist. She then worked her way up within the fashion industry until she was running her own recruitment business. Karen explains her career journey and offers tips for getting into fashion recruitment.
Gemma Martin is a front-of-house and marketing apprentice at Chapter Arts Centre.
Mole Wetherell trained as a designer, and is now artistic director of theatre company Reckless Sleepers.
Catherine Haines is the Head of HR for nine cultural institutions in Birmingham. She shares what she does in her job and how to get started in HR.
With her college graduation approaching, Marissa saw the perfect opportunity to start applying for apprenticeships. She explains how she landed a role through the Creative Employment Programme and how being an apprentice has helped her become more passionate about the future.
Corina Bona has designed puppets, costumes and sets for stage plays, tours and a children's TV pilot. Her first job was as set designer for a circus company.
Ben was looking for work in the creative industries when he first heard about apprenticeships at Hampstead Theatre through Arts Jobs.
Ryan Tyler-Smith is front-of-house manager for South-East London's Greenwich Theatre.
JD, from Manchester, has worked as a technician since he was 21. He has no formal tech qualifications but has built up a wealth of experience.
Jen's apprenticeship included a comprehensive introduction to the world of visitor services.
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