Chris Harris developed a passion for technical theatre.
Hanna is a dramaturg at Tinderbox Theatre Company in Northern Ireland. She makes sure the various elements of a show communicate the director and designers' vision effectively.
International museum loans are important for making money for the heritage industry. Lindsey Breaks explains the work that goes into organising international exhibitions and how she got started.
Having previously worked in the construction industry, Phil hadn’t considered working in arts and culture. But since doing an admin support internship at the Royal Opera House through the Creative Employment Programme, he now can’t see himself doing anything else.
Ziza has been working at the Institute of Contemporary Arts (ICA) since January 2012 on a Cultural Venue Operations apprenticeship.
Liz is a freelance make-up and hair designer. She has worked on film and television productions in Northern Ireland, Ireland and in England, such as City of Ember, Killing Bono and Game of Thrones.
Clive and his partner Elaine Burke offer a broad range of traditional country craft skills that they practise, teach and demonstrate. Their business, Wellig Heritage Crafts, was established in 2004 and it operates from a smallholding on the Ards Peninsula in Northern Ireland.
With her college graduation approaching, Marissa saw the perfect opportunity to start applying for apprenticeships. She explains how she landed a role through the Creative Employment Programme and how being an apprentice has helped her become more passionate about the future.
Bethany is a freelance make-up artist at the beginning of her career. She explains the highs and lows of her job so far and how others can get started.
Gabrielle works as the office manager and front of house coordinator at Motorpoint Arena Cardiff, with the company Live Nation. She explains her role and how she got into the live music sector with a venue apprenticeship.
Jo Davies became interested in the backstage aspect of the theatre when she was a small child from watching pantomimes with her dad and brother. She explains her career journey, her role as production coordinator for Wales Millennium Centre and offers tips for getting into theatre. Jo won the Theatre Skills Award 2016 alongside Martin Hunt.
Martin McLean is a project manager for Deafinitely Theatre, which produces plays in British Sign Language.
Brian set up Production Services Ireland (PSI) in 1996 to meet the growing needs of the industry. Now Northern Ireland’s leading technical production company, they provide lighting for events such as Tennents Vital, Giro D’Italia and Riverdance production in China.
Emrys Green is a freelance arts consultant and company director, working with major organisations on arts strategy development.
Rose Durbin is a front-of-house engineer, responsible for running the sound mixdesk at live concerts.
Julian Bryant teaches technical theatre. He has also worked as a stage manager and actor.
Lynette Nixon manages the box office at Manchester's Oldham Coliseum theatre and live events venue.
Kid starting singing in a vocal group with a couple of friends and is now an established DJ and promoter.
John Liddell is the head of costume for Scottish Opera. In this short video clip he talks about the role of a costume maker and the choices people have to make for a costume career.
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