32 Creative people in total for Backstage Music
Stage manager Josh has worked at the O2 Academy Brixton for 21 years, but his history of backstage work goes back even further. He told us about his career, from touring with Motörhead to applying farming skills to festival work, and gave 3 tips for becoming a stage manager.
From school assemblies to the 2012 Olympics, Miles has been working his way up in a backstage career since he was 15. He talked to us about his journey and gave some top tips for working backstage.
Seiso, Mpho, Letsebela and Wandile are technical production trainees for the South African Roadies Association, which provides young people with training and employment skills for the music tech industry. They discussed their experiences of working and learning so far.
Glenn Hazard, David Bath and Kate Townley are apprentices in the Create Gloucestershire network, which has over 100 members from across the local arts and cultural sector. They discuss how they got started as apprentices, where they want to go next and offer some tips.
Boomsatsuma desribes itself as ‘the community interest company that's fueling the next creative generation’. Formed in 2009, they have created 13 apprenticeships and internships with funding from the Creative Employment Programme. We met with some of their young staff to talk about how they've found it.
Holly Haste works as an apprentice for Neon Street where she runs events, oversees projects and researches new musical talent. She told us about what her apprenticeship involves day-to-day, while her employer outlined his experiences of taking on an apprentice.
Oliver is an electrician by training, but his love of theatre led him to a career at The Crescent Arts Centre. Oliver takes care of sound, lighting and sets for a broad range of the centre’s clients.
Brian set up Production Services Ireland (PSI) in 1996 to meet the growing needs of the industry. Now Northern Ireland’s leading technical production company, they provide lighting for events such as Tennents Vital, Giro D’Italia and Riverdance production in China.
Jonathan started out in performance but worked his way up into a technical career. He has worked for festivals, the 2012 Olympic Games and live events venues.
Steve started out as a trainee tape operator in 1975. He went on to become an award-winning producer, working with the likes of the Beach Boys and Culture Club. He talks about his journey in production.
Ceurywn Humphreys talks about learning events management as an apprentice with It’s my Shout Productions.
Paul Crockford has been an artist manager for over 30 years and has also organised live events for the Prince's Trust.
Hannah Farnham is Head of Production & Events at Live Nation Entertainment (UK) Music.
For the past 40 years Bryan Grant has been managing director of Britannia Row Productions, who provide audio equipment and technicians for concerts and events around the world.
Danny started out working front-of-house at a theatre. From there he got into the technical side of staging opera and live events.
Heather is a technician at the Macrobert Arts Centre in Stirling, Scotland. From scenery to lighting and sound, she is part of a team that makes sure live performances go technically to plan.
Ed Cooper, from London, is a stage electrician. Trained in stage management, he has worked on several West End musical theatre shows.
Simon runs Crew Class training courses, which provide training and advice to people entering the events and entertainment industry.
Rose Durbin is a front-of-house engineer, responsible for running the sound mixdesk at live concerts.
Deptford John has been a guitar technician for over 30 years, looking after bands' gear and instruments and teaching others how to run a tour.
In Careers Advice
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