Music


53 Creative people in total for Music


Gabrielle Giffard, office and front of house

Gabrielle works as the office manager and front of house coordinator at Motorpoint Arena Cardiff, with the company Live Nation. She explains her role and how she got into the live music sector with a venue apprenticeship.


Kid Circus, DJ and producer

Kid starting singing in a vocal group with a couple of friends and is now an established DJ and promoter.


Miles Baldwin, duty technician

From school assemblies to the 2012 Olympics, Miles has been working his way up in a backstage career since he was 15. He talked to us about his journey and gave some top tips for working backstage.


Morna has helped many young people get a first foot on their career ladder. (Image: James Fletcher)

Morna Cook, Universal Music HR director

Senior director of HR for Universal Music, Morna played a key role in their groundbreaking paid internship scheme. For her outstanding commitment to passing on and developing creative skills, she was awarded the Music Skills Award 2015.


Naomi Gibbs, costume designer

After playing bass in a rock band, Naomi Gibbs now works as a costume designer.


I got into my job by being on the road and meeting people.

Josh Rosen, stage manager

Stage manager Josh has worked at the O2 Academy Brixton for 21 years, but his history of backstage work goes back even further. He told us about his career, from touring with Motörhead to applying farming skills to festival work, and gave 3 tips for becoming a stage manager.


Music management is a tough industry and you have to be committed to your artists.

Chris Collins, band manager

Chris Collins has a long background working with artists in roles that see him travelling the world. He shares what the music industry is really like and why it's a great place to be.


Iconic Eye is a brand new Rock project founded by Greg Dean.

Greg Dean, musician

Greg has been playing guitar since he was 16. He shared his experiences of playing and performing in bands, up to his latest project, Iconic Eye.


Holly Haste, creative apprentice

Holly Haste works as an apprentice for Neon Street where she runs events, oversees projects and researches new musical talent. She told us about what her apprenticeship involves day-to-day, while her employer outlined his experiences of taking on an apprentice.


Chris Clarke, head of lighting

Chris studied lighting design. Now he makes sure the light shines favourably on West End musical Billy Elliot.


A six month internship led to a full-time job for Francasa

Francasa O’Connor, Trainee Artist Manager with Champion Sound Music Management

Francasa knew that entering the close-knit Northern Irish music industry was going to be a challenge, but her internship with Champion Sound Music Management gave her the perfect entry into the industry. We spoke to her about her role.


Jack Homer, technical arts student

As a student at South Essex College, Jack developed a passion for technical development and helping his fellow students. He is a shining example of how much a young person can achieve if supported and empowered and in 2016 was the winner of the Creative Choices Award.


Paul Crockford, artist manager

Paul Crockford has been an artist manager for over 30 years and has also organised live events for the Prince's Trust.


Peter Moody, voice coach

While working in telesales, Peter discovered an interest in how people used their voices. He is now an established voice coach.


Ellie Dorman, Sound Engineer

Ellie is a Sound Engineer and works as both an in-house Venue Technician and a Front of House Engineer. She spoke to Creative Choices about how she originally wanted to be a classical French horn player, but instead chose to take her music career down a different path.


Rose Durbin, front-of-house engineer

Rose Durbin is a front-of-house engineer, responsible for running the sound mixdesk at live concerts.


Angharad Lee, Freelance Director Creative Agent

Angharad Lee, Freelance Director, Creative Agent with Arts Council Wales, Artistic Director of Leeway Productions and Lecturer at Trinity St David.


Christina Birt, head of creative learning

Christina has worked in arts education at the Norfolk and Norwich Festival, and aims to go freelance as an arts education consultant.


Steven Wilkins, production carpenter

Steven "Wilky" Wilkins started out as a technician and now freelances in production carpentry. He has both a forklift truck licence and a diploma in stage make-up.


John Douglass, head of special projects

John worked at Access To Music and the Armstrong Learning Group, but now works freelance in business and education. He also runs a small label, as well as continuing with song-writing and performing.


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