50 Creative people in total for Music
Senior director of HR for Universal Music, Morna played a key role in their groundbreaking paid internship scheme. For her outstanding commitment to passing on and developing creative skills, she was awarded the Music Skills Award 2015.
Hannah Farnham is Head of Production & Events at Live Nation Entertainment (UK) Music.
Scott Treeby discusses being a live events apprentice at Rhondda Cynon Taf County Borough Council.
As a promoter, Matt plans out the route a music tour will take. The moment when the band finally takes the stage is his favourite part.
Oliver is an electrician by training, but his love of theatre led him to a career at The Crescent Arts Centre. Oliver takes care of sound, lighting and sets for a broad range of the centre’s clients.
From school assemblies to the 2012 Olympics, Miles has been working his way up in a backstage career since he was 15. He talked to us about his journey and gave some top tips for working backstage.
Paul Crockford has been an artist manager for over 30 years and has also organised live events for the Prince's Trust.
Chris Collins has a long background working with artists in roles that see him travelling the world. He shares what the music industry is really like and why it's a great place to be.
Rose Durbin is a front-of-house engineer, responsible for running the sound mixdesk at live concerts.
While working in telesales, Peter discovered an interest in how people used their voices. He is now an established voice coach.
Ceurywn Humphreys talks about learning events management as an apprentice with It’s my Shout Productions.
After playing bass in a rock band, Naomi Gibbs now works as a costume designer.
Tony works as a promoter, producer and project manager. He offers five tips for succeeding at his job.
Simon runs Crew Class training courses, which provide training and advice to people entering the events and entertainment industry.
After finding it difficult to access information about careers in event production, Dan set up a company to help future generations.
Brian set up Production Services Ireland (PSI) in 1996 to meet the growing needs of the industry. Now Northern Ireland’s leading technical production company, they provide lighting for events such as Tennents Vital, Giro D’Italia and Riverdance production in China.
After getting a part in Grease, Toby launched a long career in musical theatre. He now teaches singing and still performs with a band.
Gabrielle works as the office manager and front of house coordinator at Motorpoint Arena Cardiff, with the company Live Nation. She explains her role and how she got into the live music sector with a venue apprenticeship.
Jonathan started out in performance but worked his way up into a technical career. He has worked for festivals, the 2012 Olympic Games and live events venues.
Mark is a freelance musical director, with both TV and stage credits on his CV. He is also a musical arranger, composer, and vocal coach.
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