52 Creative people in total for Music
Christina has worked in arts education at the Norfolk and Norwich Festival, and aims to go freelance as an arts education consultant.
Kid starting singing in a vocal group with a couple of friends and is now an established DJ and promoter.
JD, from Manchester, has worked as a technician since he was 21. He has no formal tech qualifications but has built up a wealth of experience.
Simon runs Crew Class training courses, which provide training and advice to people entering the events and entertainment industry.
Chris studied lighting design. Now he makes sure the light shines favourably on West End musical Billy Elliot.
Gabrielle works as the office manager and front of house coordinator at Motorpoint Arena Cardiff, with the company Live Nation. She explains her role and how she got into the live music sector with a venue apprenticeship.
Ceurywn Humphreys talks about learning events management as an apprentice with It’s my Shout Productions.
After playing bass in a rock band, Naomi Gibbs now works as a costume designer.
Tom Marshall started working in the sound department of a West End show after his A levels and is now a successful sound engineer.
Steven "Wilky" Wilkins started out as a technician and now freelances in production carpentry. He has both a forklift truck licence and a diploma in stage make-up.
Chris Collins has a long background working with artists in roles that see him travelling the world. He shares what the music industry is really like and why it's a great place to be.
Boomsatsuma desribes itself as ‘the community interest company that's fueling the next creative generation’. Formed in 2009, they have created 13 apprenticeships and internships with funding from the Creative Employment Programme. We met with some of their young staff to talk about how they've found it.
Steve started out as a trainee tape operator in 1975. He went on to become an award-winning producer, working with the likes of the Beach Boys and Culture Club. He talks about his journey in production.
Greg has been playing guitar since he was 16. He shared his experiences of playing and performing in bands, up to his latest project, Iconic Eye.
Holly Haste works as an apprentice for Neon Street where she runs events, oversees projects and researches new musical talent. She told us about what her apprenticeship involves day-to-day, while her employer outlined his experiences of taking on an apprentice.
Danny started out working front-of-house at a theatre. From there he got into the technical side of staging opera and live events.
John worked at Access To Music and the Armstrong Learning Group, but now works freelance in business and education. He also runs a small label, as well as continuing with song-writing and performing.
Mark is a freelance musical director, with both TV and stage credits on his CV. He is also a musical arranger, composer, and vocal coach.
From school assemblies to the 2012 Olympics, Miles has been working his way up in a backstage career since he was 15. He talked to us about his journey and gave some top tips for working backstage.
Heather is a technician at the Macrobert Arts Centre in Stirling, Scotland. From scenery to lighting and sound, she is part of a team that makes sure live performances go technically to plan.
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