50 Creative people in total for Music
Glenn Hazard, David Bath and Kate Townley are apprentices in the Create Gloucestershire network, which has over 100 members from across the local arts and cultural sector. They discuss how they got started as apprentices, where they want to go next and offer some tips.
Paul Crockford has been an artist manager for over 30 years and has also organised live events for the Prince's Trust.
Simon runs Crew Class training courses, which provide training and advice to people entering the events and entertainment industry.
Music-loving Joe started out as an apprentice at Columbia Records. He discusses what he learned and gives his thoughts on apprenticeships.
Boomsatsuma desribes itself as ‘the community interest company that's fueling the next creative generation’. Formed in 2009, they have created 13 apprenticeships and internships with funding from the Creative Employment Programme. We met with some of their young staff to talk about how they've found it.
Deptford John has been a guitar technician for over 30 years, looking after bands' gear and instruments and teaching others how to run a tour.
Greg has been playing guitar since he was 16. He shared his experiences of playing and performing in bands, up to his latest project, Iconic Eye.
Ceurywn Humphreys talks about learning events management as an apprentice with It’s my Shout Productions.
JD, from Manchester, has worked as a technician since he was 21. He has no formal tech qualifications but has built up a wealth of experience.
Brian set up Production Services Ireland (PSI) in 1996 to meet the growing needs of the industry. Now Northern Ireland’s leading technical production company, they provide lighting for events such as Tennents Vital, Giro D’Italia and Riverdance production in China.
Holly Haste works as an apprentice for Neon Street where she runs events, oversees projects and researches new musical talent. She told us about what her apprenticeship involves day-to-day, while her employer outlined his experiences of taking on an apprentice.
Heather is a technician at the Macrobert Arts Centre in Stirling, Scotland. From scenery to lighting and sound, she is part of a team that makes sure live performances go technically to plan.
Scott Treeby discusses being a live events apprentice at Rhondda Cynon Taf County Borough Council.
After getting a part in Grease, Toby launched a long career in musical theatre. He now teaches singing and still performs with a band.
Seiso, Mpho, Letsebela and Wandile are technical production trainees for the South African Roadies Association, which provides young people with training and employment skills for the music tech industry. They discussed their experiences of working and learning so far.
Hannah Farnham is Head of Production & Events at Live Nation Entertainment (UK) Music.
Tom Marshall started working in the sound department of a West End show after his A levels and is now a successful sound engineer.
Steven "Wilky" Wilkins started out as a technician and now freelances in production carpentry. He has both a forklift truck licence and a diploma in stage make-up.
Chris Collins has a long background working with artists in roles that see him travelling the world. He shares what the music industry is really like and why it's a great place to be.
As a promoter, Matt plans out the route a music tour will take. The moment when the band finally takes the stage is his favourite part.
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