Angharad Lee, Freelance Director, Creative Agent with Arts Council Wales, Artistic Director of Leeway Productions and Lecturer at Trinity St David.
Paul Crockford has been an artist manager for over 30 years and has also organised live events for the Prince's Trust.
Bev started out helping in an orchestra pit and got hooked on the technical side of music. She's now a full time technician.
As a promoter, Matt plans out the route a music tour will take. The moment when the band finally takes the stage is his favourite part.
Boomsatsuma desribes itself as ‘the community interest company that's fueling the next creative generation’. Formed in 2009, they have created 13 apprenticeships and internships with funding from the Creative Employment Programme. We met with some of their young staff to talk about how they've found it.
Christina has worked in arts education at the Norfolk and Norwich Festival, and aims to go freelance as an arts education consultant.
From school assemblies to the 2012 Olympics, Miles has been working his way up in a backstage career since he was 15. He talked to us about his journey and gave some top tips for working backstage.
Rose Durbin is a front-of-house engineer, responsible for running the sound mixdesk at live concerts.
After getting a part in Grease, Toby launched a long career in musical theatre. He now teaches singing and still performs with a band.
Lynette Nixon manages the box office at Manchester's Oldham Coliseum theatre and live events venue.
Graham Coatman works as a composer, musical director and pianist. He also lectures and is artistic director of a music festival.
After playing bass in a rock band, Naomi Gibbs now works as a costume designer.
Tom Marshall started working in the sound department of a West End show after his A levels and is now a successful sound engineer.
Seiso, Mpho, Letsebela and Wandile are technical production trainees for the South African Roadies Association, which provides young people with training and employment skills for the music tech industry. They discussed their experiences of working and learning so far.
Mark is a freelance musical director, with both TV and stage credits on his CV. He is also a musical arranger, composer, and vocal coach.
Holly Haste works as an apprentice for Neon Street where she runs events, oversees projects and researches new musical talent. She told us about what her apprenticeship involves day-to-day, while her employer outlined his experiences of taking on an apprentice.
After finding it difficult to access information about careers in event production, Dan set up a company to help future generations.
Chris Collins has a long background working with artists in roles that see him travelling the world. He shares what the music industry is really like and why it's a great place to be.
Mike Roberts went from disillusioned science teacher to pyrotechnician by starting up his own company.
John worked at Access To Music and the Armstrong Learning Group, but now works freelance in business and education. He also runs a small label, as well as continuing with song-writing and performing.
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