Rose Durbin is a front-of-house engineer, responsible for running the sound mixdesk at live concerts.
Brian set up Production Services Ireland (PSI) in 1996 to meet the growing needs of the industry. Now Northern Ireland’s leading technical production company, they provide lighting for events such as Tennents Vital, Giro D’Italia and Riverdance production in China.
As a student at South Essex College, Jack developed a passion for technical development and helping his fellow students. He is a shining example of how much a young person can achieve if supported and empowered and in 2016 was the winner of the Creative Choices Award.
As a promoter, Matt plans out the route a music tour will take. The moment when the band finally takes the stage is his favourite part.
Gabrielle works as the office manager and front of house coordinator at Motorpoint Arena Cardiff, with the company Live Nation. She explains her role and how she got into the live music sector with a venue apprenticeship.
Senior director of HR for Universal Music, Morna played a key role in their groundbreaking paid internship scheme. For her outstanding commitment to passing on and developing creative skills, she was awarded the Music Skills Award 2015.
Glenn Hazard, David Bath and Kate Townley are apprentices in the Create Gloucestershire network, which has over 100 members from across the local arts and cultural sector. They discuss how they got started as apprentices, where they want to go next and offer some tips.
Scott Treeby discusses being a live events apprentice at Rhondda Cynon Taf County Borough Council.
Oliver is an electrician by training, but his love of theatre led him to a career at The Crescent Arts Centre. Oliver takes care of sound, lighting and sets for a broad range of the centre’s clients.
Ed Cooper, from London, is a stage electrician. Trained in stage management, he has worked on several West End musical theatre shows.
John worked at Access To Music and the Armstrong Learning Group, but now works freelance in business and education. He also runs a small label, as well as continuing with song-writing and performing.
Hannah Farnham is Head of Production & Events at Live Nation Entertainment (UK) Music.
Seiso, Mpho, Letsebela and Wandile are technical production trainees for the South African Roadies Association, which provides young people with training and employment skills for the music tech industry. They discussed their experiences of working and learning so far.
Tony works as a promoter, producer and project manager. He offers five tips for succeeding at his job.
Mark is a freelance musical director, with both TV and stage credits on his CV. He is also a musical arranger, composer, and vocal coach.
Jonathan started out in performance but worked his way up into a technical career. He has worked for festivals, the 2012 Olympic Games and live events venues.
For the past 40 years Bryan Grant has been managing director of Britannia Row Productions, who provide audio equipment and technicians for concerts and events around the world.
After finding it difficult to access information about careers in event production, Dan set up a company to help future generations.
Hannah Dilworth is an education producer at Opera North, having started there as an admin assistant.
While working in telesales, Peter discovered an interest in how people used their voices. He is now an established voice coach.
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