As a student at South Essex College, Jack developed a passion for technical development and helping his fellow students. He is a shining example of how much a young person can achieve if supported and empowered and in 2016 was the winner of the Creative Choices Award.
After getting a part in Grease, Toby launched a long career in musical theatre. He now teaches singing and still performs with a band.
Steve started out as a trainee tape operator in 1975. He went on to become an award-winning producer, working with the likes of the Beach Boys and Culture Club. He talks about his journey in production.
From school assemblies to the 2012 Olympics, Miles has been working his way up in a backstage career since he was 15. He talked to us about his journey and gave some top tips for working backstage.
Stage manager Josh has worked at the O2 Academy Brixton for 21 years, but his history of backstage work goes back even further. He told us about his career, from touring with Motörhead to applying farming skills to festival work, and gave 3 tips for becoming a stage manager.
Greg has been playing guitar since he was 16. He shared his experiences of playing and performing in bands, up to his latest project, Iconic Eye.
Francasa knew that entering the close-knit Northern Irish music industry was going to be a challenge, but her internship with Champion Sound Music Management gave her the perfect entry into the industry. We spoke to her about her role.
Graham Coatman works as a composer, musical director and pianist. He also lectures and is artistic director of a music festival.
Brian set up Production Services Ireland (PSI) in 1996 to meet the growing needs of the industry. Now Northern Ireland’s leading technical production company, they provide lighting for events such as Tennents Vital, Giro D’Italia and Riverdance production in China.
Scott Treeby discusses being a live events apprentice at Rhondda Cynon Taf County Borough Council.
Glenn Hazard, David Bath and Kate Townley are apprentices in the Create Gloucestershire network, which has over 100 members from across the local arts and cultural sector. They discuss how they got started as apprentices, where they want to go next and offer some tips.
Senior director of HR for Universal Music, Morna played a key role in their groundbreaking paid internship scheme. For her outstanding commitment to passing on and developing creative skills, she was awarded the Music Skills Award 2015.
Christina has worked in arts education at the Norfolk and Norwich Festival, and aims to go freelance as an arts education consultant.
Gabrielle works as the office manager and front of house coordinator at Motorpoint Arena Cardiff, with the company Live Nation. She explains her role and how she got into the live music sector with a venue apprenticeship.
Mike Roberts went from disillusioned science teacher to pyrotechnician by starting up his own company.
Neil Butler set up Brighton's famous, and sadly now closed, Zap Club. The former drama teacher specialises in running outdoor festivals and events.
Jonathan started out in performance but worked his way up into a technical career. He has worked for festivals, the 2012 Olympic Games and live events venues.
Heather is a technician at the Macrobert Arts Centre in Stirling, Scotland. From scenery to lighting and sound, she is part of a team that makes sure live performances go technically to plan.
Steven "Wilky" Wilkins started out as a technician and now freelances in production carpentry. He has both a forklift truck licence and a diploma in stage make-up.
Oliver is an electrician by training, but his love of theatre led him to a career at The Crescent Arts Centre. Oliver takes care of sound, lighting and sets for a broad range of the centre’s clients.
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