Mark is a freelance musical director, with both TV and stage credits on his CV. He is also a musical arranger, composer, and vocal coach.
Chris studied lighting design. Now he makes sure the light shines favourably on West End musical Billy Elliot.
Ed Cooper, from London, is a stage electrician. Trained in stage management, he has worked on several West End musical theatre shows.
Graham Coatman works as a composer, musical director and pianist. He also lectures and is artistic director of a music festival.
JD, from Manchester, has worked as a technician since he was 21. He has no formal tech qualifications but has built up a wealth of experience.
Simon runs Crew Class training courses, which provide training and advice to people entering the events and entertainment industry.
Stage manager Josh has worked at the O2 Academy Brixton for 21 years, but his history of backstage work goes back even further. He told us about his career, from touring with Motörhead to applying farming skills to festival work, and gave 3 tips for becoming a stage manager.
Tom Marshall started working in the sound department of a West End show after his A levels and is now a successful sound engineer.
Hannah Farnham is Head of Production & Events at Live Nation Entertainment (UK) Music.
Ellie found an arts apprenticeship opened new doors for her. Now she organises pyrotechnics and staging for outdoor live events.
Senior director of HR for Universal Music, Morna played a key role in their groundbreaking paid internship scheme. For her outstanding commitment to passing on and developing creative skills, she was awarded the Music Skills Award 2015.
Ellie is a Sound Engineer and works as both an in-house Venue Technician and a Front of House Engineer. She spoke to Creative Choices about how she originally wanted to be a classical French horn player, but instead chose to take her music career down a different path.
Rose Durbin is a front-of-house engineer, responsible for running the sound mixdesk at live concerts.
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