Chris Collins has a long background working with artists in roles that see him travelling the world. He shares what the music industry is really like and why it's a great place to be.
Tom Marshall started working in the sound department of a West End show after his A levels and is now a successful sound engineer.
Heather is a technician at the Macrobert Arts Centre in Stirling, Scotland. From scenery to lighting and sound, she is part of a team that makes sure live performances go technically to plan.
Mark is a freelance musical director, with both TV and stage credits on his CV. He is also a musical arranger, composer, and vocal coach.
Ellie found an arts apprenticeship opened new doors for her. Now she organises pyrotechnics and staging for outdoor live events.
Music-loving Joe started out as an apprentice at Columbia Records. He discusses what he learned and gives his thoughts on apprenticeships.
Holly Haste works as an apprentice for Neon Street where she runs events, oversees projects and researches new musical talent. She told us about what her apprenticeship involves day-to-day, while her employer outlined his experiences of taking on an apprentice.
As a promoter, Matt plans out the route a music tour will take. The moment when the band finally takes the stage is his favourite part.
Paul Crockford has been an artist manager for over 30 years and has also organised live events for the Prince's Trust.
Mike Roberts went from disillusioned science teacher to pyrotechnician by starting up his own company.
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