53 Creative people in total for
Hannah Dilworth is an education producer at Opera North, having started there as an admin assistant.
John worked at Access To Music and the Armstrong Learning Group, but now works freelance in business and education. He also runs a small label, as well as continuing with song-writing and performing.
Ceurywn Humphreys talks about learning events management as an apprentice with It’s my Shout Productions.
Graham Coatman works as a composer, musical director and pianist. He also lectures and is artistic director of a music festival.
Lynette Nixon manages the box office at Manchester's Oldham Coliseum theatre and live events venue.
Tony works as a promoter, producer and project manager. He offers five tips for succeeding at his job.
Steve started out as a trainee tape operator in 1975. He went on to become an award-winning producer, working with the likes of the Beach Boys and Culture Club. He talks about his journey in production.
Senior director of HR for Universal Music, Morna played a key role in their groundbreaking paid internship scheme. For her outstanding commitment to passing on and developing creative skills, she was awarded the Music Skills Award 2015.
As a student at South Essex College, Jack developed a passion for technical development and helping his fellow students. He is a shining example of how much a young person can achieve if supported and empowered and in 2016 was the winner of the Creative Choices Award.
Chris studied lighting design. Now he makes sure the light shines favourably on West End musical Billy Elliot.
Gabrielle works as the office manager and front of house coordinator at Motorpoint Arena Cardiff, with the company Live Nation. She explains her role and how she got into the live music sector with a venue apprenticeship.
While working in telesales, Peter discovered an interest in how people used their voices. He is now an established voice coach.
Tom Marshall started working in the sound department of a West End show after his A levels and is now a successful sound engineer.
Brian set up Production Services Ireland (PSI) in 1996 to meet the growing needs of the industry. Now Northern Ireland’s leading technical production company, they provide lighting for events such as Tennents Vital, Giro D’Italia and Riverdance production in China.
Jonathan started out in performance but worked his way up into a technical career. He has worked for festivals, the 2012 Olympic Games and live events venues.
Angharad Lee, Freelance Director, Creative Agent with Arts Council Wales, Artistic Director of Leeway Productions and Lecturer at Trinity St David.
Francasa knew that entering the close-knit Northern Irish music industry was going to be a challenge, but her internship with Champion Sound Music Management gave her the perfect entry into the industry. We spoke to her about her role.
Ellie is a Sound Engineer and works as both an in-house Venue Technician and a Front of House Engineer. She spoke to Creative Choices about how she originally wanted to be a classical French horn player, but instead chose to take her music career down a different path.
Kid starting singing in a vocal group with a couple of friends and is now an established DJ and promoter.
Stage manager Josh has worked at the O2 Academy Brixton for 21 years, but his history of backstage work goes back even further. He told us about his career, from touring with Motörhead to applying farming skills to festival work, and gave 3 tips for becoming a stage manager.
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