Tom Marshall started working in the sound department of a West End show after his A levels and is now a successful sound engineer.
Greg has been playing guitar since he was 16. He shared his experiences of playing and performing in bands, up to his latest project, Iconic Eye.
Danny started out working front-of-house at a theatre. From there he got into the technical side of staging opera and live events.
Brian set up Production Services Ireland (PSI) in 1996 to meet the growing needs of the industry. Now Northern Ireland’s leading technical production company, they provide lighting for events such as Tennents Vital, Giro D’Italia and Riverdance production in China.
Lynette Nixon manages the box office at Manchester's Oldham Coliseum theatre and live events venue.
Gabrielle works as the office manager and front of house coordinator at Motorpoint Arena Cardiff, with the company Live Nation. She explains her role and how she got into the live music sector with a venue apprenticeship.
Mike Roberts went from disillusioned science teacher to pyrotechnician by starting up his own company.
Neil Butler set up Brighton's famous, and sadly now closed, Zap Club. The former drama teacher specialises in running outdoor festivals and events.
Francasa knew that entering the close-knit Northern Irish music industry was going to be a challenge, but her internship with Champion Sound Music Management gave her the perfect entry into the industry. We spoke to her about her role.
Rose Durbin is a front-of-house engineer, responsible for running the sound mixdesk at live concerts.
Ceurywn Humphreys talks about learning events management as an apprentice with It’s my Shout Productions.
As a student at South Essex College, Jack developed a passion for technical development and helping his fellow students. He is a shining example of how much a young person can achieve if supported and empowered and in 2016 was the winner of the Creative Choices Award.
Chris Collins has a long background working with artists in roles that see him travelling the world. He shares what the music industry is really like and why it's a great place to be.
After finding it difficult to access information about careers in event production, Dan set up a company to help future generations.
Ellie found an arts apprenticeship opened new doors for her. Now she organises pyrotechnics and staging for outdoor live events.
Heather is a technician at the Macrobert Arts Centre in Stirling, Scotland. From scenery to lighting and sound, she is part of a team that makes sure live performances go technically to plan.
After playing bass in a rock band, Naomi Gibbs now works as a costume designer.
John worked at Access To Music and the Armstrong Learning Group, but now works freelance in business and education. He also runs a small label, as well as continuing with song-writing and performing.
Mark is a freelance musical director, with both TV and stage credits on his CV. He is also a musical arranger, composer, and vocal coach.
Tony works as a promoter, producer and project manager. He offers five tips for succeeding at his job.
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