53 Creative people in total for
Seiso, Mpho, Letsebela and Wandile are technical production trainees for the South African Roadies Association, which provides young people with training and employment skills for the music tech industry. They discussed their experiences of working and learning so far.
After finding it difficult to access information about careers in event production, Dan set up a company to help future generations.
Senior director of HR for Universal Music, Morna played a key role in their groundbreaking paid internship scheme. For her outstanding commitment to passing on and developing creative skills, she was awarded the Music Skills Award 2015.
Tom Marshall started working in the sound department of a West End show after his A levels and is now a successful sound engineer.
As a promoter, Matt plans out the route a music tour will take. The moment when the band finally takes the stage is his favourite part.
JD, from Manchester, has worked as a technician since he was 21. He has no formal tech qualifications but has built up a wealth of experience.
Steven "Wilky" Wilkins started out as a technician and now freelances in production carpentry. He has both a forklift truck licence and a diploma in stage make-up.
Francasa knew that entering the close-knit Northern Irish music industry was going to be a challenge, but her internship with Champion Sound Music Management gave her the perfect entry into the industry. We spoke to her about her role.
Chris studied lighting design. Now he makes sure the light shines favourably on West End musical Billy Elliot.
Chris Collins has a long background working with artists in roles that see him travelling the world. He shares what the music industry is really like and why it's a great place to be.
Music-loving Joe started out as an apprentice at Columbia Records. He discusses what he learned and gives his thoughts on apprenticeships.
Amy turned her love of music into a job before she even graduated, and went on to a successful career which included working in A&R. She is now the Creative Director of a music publisher.
Rose Durbin is a front-of-house engineer, responsible for running the sound mixdesk at live concerts.
Scott Treeby discusses being a live events apprentice at Rhondda Cynon Taf County Borough Council.
Brian set up Production Services Ireland (PSI) in 1996 to meet the growing needs of the industry. Now Northern Ireland’s leading technical production company, they provide lighting for events such as Tennents Vital, Giro D’Italia and Riverdance production in China.
Gabrielle works as the office manager and front of house coordinator at Motorpoint Arena Cardiff, with the company Live Nation. She explains her role and how she got into the live music sector with a venue apprenticeship.
Mark is a freelance musical director, with both TV and stage credits on his CV. He is also a musical arranger, composer, and vocal coach.
Oliver is an electrician by training, but his love of theatre led him to a career at The Crescent Arts Centre. Oliver takes care of sound, lighting and sets for a broad range of the centre’s clients.
From school assemblies to the 2012 Olympics, Miles has been working his way up in a backstage career since he was 15. He talked to us about his journey and gave some top tips for working backstage.
Christina has worked in arts education at the Norfolk and Norwich Festival, and aims to go freelance as an arts education consultant.
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