20 Creative people in total for Music Management
Ceurywn Humphreys talks about learning events management as an apprentice with It’s my Shout Productions.
Music-loving Joe started out as an apprentice at Columbia Records. He discusses what he learned and gives his thoughts on apprenticeships.
Boomsatsuma desribes itself as ‘the community interest company that's fueling the next creative generation’. Formed in 2009, they have created 13 apprenticeships and internships with funding from the Creative Employment Programme. We met with some of their young staff to talk about how they've found it.
Tony works as a promoter, producer and project manager. He offers five tips for succeeding at his job.
Paul Crockford has been an artist manager for over 30 years and has also organised live events for the Prince's Trust.
Hannah Farnham is Head of Production & Events at Live Nation Entertainment (UK) Music.
Senior director of HR for Universal Music, Morna played a key role in their groundbreaking paid internship scheme. For her outstanding commitment to passing on and developing creative skills, she was awarded the Music Skills Award 2015.
Scott Treeby discusses being a live events apprentice at Rhondda Cynon Taf County Borough Council.
Neil Butler set up Brighton's famous, and sadly now closed, Zap Club. The former drama teacher specialises in running outdoor festivals and events.
Hannah Dilworth is an education producer at Opera North, having started there as an admin assistant.
Gabrielle works as the office manager and front of house coordinator at Motorpoint Arena Cardiff, with the company Live Nation. She explains her role and how she got into the live music sector with a venue apprenticeship.
Glenn Hazard, David Bath and Kate Townley are apprentices in the Create Gloucestershire network, which has over 100 members from across the local arts and cultural sector. They discuss how they got started as apprentices, where they want to go next and offer some tips.
Holly Haste works as an apprentice for Neon Street where she runs events, oversees projects and researches new musical talent. She told us about what her apprenticeship involves day-to-day, while her employer outlined his experiences of taking on an apprentice.
Lynette Nixon manages the box office at Manchester's Oldham Coliseum theatre and live events venue.
Francasa knew that entering the close-knit Northern Irish music industry was going to be a challenge, but her internship with Champion Sound Music Management gave her the perfect entry into the industry. We spoke to her about her role.
Amy turned her love of music into a job before she even graduated, and went on to a successful career which included working in A&R. She is now the Creative Director of a music publisher.
Chris Collins has a long background working with artists in roles that see him travelling the world. He shares what the music industry is really like and why it's a great place to be.
John worked at Access To Music and the Armstrong Learning Group, but now works freelance in business and education. He also runs a small label, as well as continuing with song-writing and performing.
As a promoter, Matt plans out the route a music tour will take. The moment when the band finally takes the stage is his favourite part.
Mark is a freelance musical director, with both TV and stage credits on his CV. He is also a musical arranger, composer, and vocal coach.
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