Danny started out working front-of-house at a theatre. From there he got into the technical side of staging opera and live events.
From school assemblies to the 2012 Olympics, Miles has been working his way up in a backstage career since he was 15. He talked to us about his journey and gave some top tips for working backstage.
Bev started out helping in an orchestra pit and got hooked on the technical side of music. She's now a full time technician.
Jonathan started out in performance but worked his way up into a technical career. He has worked for festivals, the 2012 Olympic Games and live events venues.
Neil Butler set up Brighton's famous, and sadly now closed, Zap Club. The former drama teacher specialises in running outdoor festivals and events.
Lynette Nixon manages the box office at Manchester's Oldham Coliseum theatre and live events venue.
Rose Durbin is a front-of-house engineer, responsible for running the sound mixdesk at live concerts.
Christina has worked in arts education at the Norfolk and Norwich Festival, and aims to go freelance as an arts education consultant.
Gabrielle works as the office manager and front of house coordinator at Motorpoint Arena Cardiff, with the company Live Nation. She explains her role and how she got into the live music sector with a venue apprenticeship.
For the past 40 years Bryan Grant has been managing director of Britannia Row Productions, who provide audio equipment and technicians for concerts and events around the world.
Deptford John has been a guitar technician for over 30 years, looking after bands' gear and instruments and teaching others how to run a tour.
Ed Cooper, from London, is a stage electrician. Trained in stage management, he has worked on several West End musical theatre shows.
Chris studied lighting design. Now he makes sure the light shines favourably on West End musical Billy Elliot.
Boomsatsuma desribes itself as ‘the community interest company that's fueling the next creative generation’. Formed in 2009, they have created 13 apprenticeships and internships with funding from the Creative Employment Programme. We met with some of their young staff to talk about how they've found it.
Ellie is a Sound Engineer and works as both an in-house Venue Technician and a Front of House Engineer. She spoke to Creative Choices about how she originally wanted to be a classical French horn player, but instead chose to take her music career down a different path.
Holly Haste works as an apprentice for Neon Street where she runs events, oversees projects and researches new musical talent. She told us about what her apprenticeship involves day-to-day, while her employer outlined his experiences of taking on an apprentice.
Mark is a freelance musical director, with both TV and stage credits on his CV. He is also a musical arranger, composer, and vocal coach.
Leroy is a musician who completed a course at London's Tech Music School. He talks about being taught by Amy Winehouse's drummer and gives advice for people who also want to get into music.
JD, from Manchester, has worked as a technician since he was 21. He has no formal tech qualifications but has built up a wealth of experience.
Heather is a technician at the Macrobert Arts Centre in Stirling, Scotland. From scenery to lighting and sound, she is part of a team that makes sure live performances go technically to plan.
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