93 Creative people in total for Theatre
Costume designer Mona Kastell specialises in costume for street arts and circus companies.
Jonathan started out in performance but worked his way up into a technical career. He has worked for festivals, the 2012 Olympic Games and live events venues.
Brian set up Production Services Ireland (PSI) in 1996 to meet the growing needs of the industry. Now Northern Ireland’s leading technical production company, they provide lighting for events such as Tennents Vital, Giro D’Italia and Riverdance production in China.
Alex Marker designs sets for theatre productions. He discusses how to make them realistic spaces and represent the context of the play. He also shares his five tips for getting started in set design.
Studying technical production helped Steve Evans to build a successful career both freelance and for high-profile theatres. He discusses his journey and reveals what theatre technicians have in common with ninjas.
Amy Bonsall studied for a postgraduate degree in theatre directing. She now freelances in the profession.
From usher to finance director and beyond, Maggie Saxon just couldn't stay away from the Royal Exchange Theatre. She left her job as a banker to work full-time in theatre.
Di Spalding has been working as a scenic artist for 25 years. She is self-employed and works from her own studio, creating scenery for theatrical sets.
Martin McLean is a project manager for Deafinitely Theatre, which produces plays in British Sign Language.
Liz is a freelance make-up and hair designer. She has worked on film and television productions in Northern Ireland, Ireland and in England, such as City of Ember, Killing Bono and Game of Thrones.
Tim Marston is a fire performer. With his company, Juggling Inferno, he performs at events all over the UK and worldwide.
Steve builds and often designs scenery for theatre, film and television production companies. He has worked on films such as City of Ember and HBO’s Game of Thrones.
Andrew Loretto is a Creative Producer for Sheffield Theatres and occasional freelance theatre work.
Holly is in charge of developing drama and drama teaching at Trinity College London.
After playing bass in a rock band, Naomi Gibbs now works as a costume designer.
Beth is fundraising and development apprentice for West Yorkshire Playhouse. She discusses the skills she's picked up from the role and provides tips for working in theatre.
Lynette Nixon manages the box office at Manchester's Oldham Coliseum theatre and live events venue.
Ryan Tyler-Smith is front-of-house manager for South-East London's Greenwich Theatre.
Cruze started out studying a technical theatre course and working part time with metal in his family's business. After college, he was able to combine his love of theatre and metalwork by doing an apprenticeship as a scenic metalworker with The Royal Opera House.
Former gymnast Zoe Jones studied at London's Circus Space, working other jobs to pay the bills in between performing opportunities.
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