93 Creative people in total for Theatre
Beth is fundraising and development apprentice for West Yorkshire Playhouse. She discusses the skills she's picked up from the role and provides tips for working in theatre.
From school assemblies to the 2012 Olympics, Miles has been working his way up in a backstage career since he was 15. He talked to us about his journey and gave some top tips for working backstage.
Liz is a freelance make-up and hair designer. She has worked on film and television productions in Northern Ireland, Ireland and in England, such as City of Ember, Killing Bono and Game of Thrones.
Having previously worked in the construction industry, Phil hadn’t considered working in arts and culture. But since doing an admin support internship at the Royal Opera House through the Creative Employment Programme, he now can’t see himself doing anything else.
What does a community arts apprentice do? We heard from apprentices employed through the Creative Employment Programme, starting with Simone Gayle from The Albany in London.
Angharad Lee, Freelance Director, Creative Agent with Arts Council Wales, Artistic Director of Leeway Productions and Lecturer at Trinity St David.
Daniel Ainsleigh is an actor and acting coach. An interest in amateur dramatics led him to apply to drama school.
Darren Joyce, Head of Operations, Cardiff Theatrical Services.
JD, from Manchester, has worked as a technician since he was 21. He has no formal tech qualifications but has built up a wealth of experience.
Serina Apaloo is education projects manager at the Lyric Hammersmith theatre in London. Her first job in theatre developed from a fortnight's work placement.
Ed Cooper, from London, is a stage electrician. Trained in stage management, he has worked on several West End musical theatre shows.
Former gymnast Zoe Jones studied at London's Circus Space, working other jobs to pay the bills in between performing opportunities.
Julian Bryant teaches technical theatre. He has also worked as a stage manager and actor.
Jonathan started out in performance but worked his way up into a technical career. He has worked for festivals, the 2012 Olympic Games and live events venues.
Boomsatsuma desribes itself as ‘the community interest company that's fueling the next creative generation’. Formed in 2009, they have created 13 apprenticeships and internships with funding from the Creative Employment Programme. We met with some of their young staff to talk about how they've found it.
Kate Unwin is a freelance set and costume designer. Her work is split between home, where she designs, and the theatres where her designs are built.
Rose Durbin is a front-of-house engineer, responsible for running the sound mixdesk at live concerts.
Sarah Stephenson is Nottingham Playhouse's Youth Theatre Director. Her work involves running workshops and finding ways to engage students with theatre.
Studying technical production helped Steve Evans to build a successful career both freelance and for high-profile theatres. He discusses his journey and reveals what theatre technicians have in common with ninjas.
Sheree works for Savvy Theatre Company, actively promoting inclusion and diversity in the arts and creating community-based theatre projects that can involve everyone. To recognise her work, Sheree was jointly awarded the 2017 Creative Choices Award.
Get Into Theatre has joined with Creative Choices
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