Miri Birch studied design for the stage at the Central School of Speech and Drama. She has now overseen the costuming of shows for a number of theatre companies.
Open Theatre is based in Coventry and works right across the West Midlands region as well as nationally and internationally. It has been developing work with young people with learning disabilities through non-verbal physical theatre for over 30 years. Partnership Manager for the Midlands, Ruth Richardson, spoke to company director Richard Hayhow, to find out more about their work and how they employ young creatives.
Boomsatsuma desribes itself as ‘the community interest company that's fueling the next creative generation’. Formed in 2009, they have created 13 apprenticeships and internships with funding from the Creative Employment Programme. We met with some of their young staff to talk about how they've found it.
Heather is a technician at the Macrobert Arts Centre in Stirling, Scotland. From scenery to lighting and sound, she is part of a team that makes sure live performances go technically to plan.
Jo Davies became interested in the backstage aspect of the theatre when she was a small child from watching pantomimes with her dad and brother. She explains her career journey, her role as production coordinator for Wales Millennium Centre and offers tips for getting into theatre. Jo won the Theatre Skills Award 2016 alongside Martin Hunt.
As a student at South Essex College, Jack developed a passion for technical development and helping his fellow students. He is a shining example of how much a young person can achieve if supported and empowered and in 2016 was the winner of the Creative Choices Award.
Ellie Zeegen is co-founder and artistic director of the Actors' Temple, a training centre and drama school for performers.
From usher to finance director and beyond, Maggie Saxon just couldn't stay away from the Royal Exchange Theatre. She left her job as a banker to work full-time in theatre.
Danny started out working front-of-house at a theatre. From there he got into the technical side of staging opera and live events.
Emrys Green is a freelance arts consultant and company director, working with major organisations on arts strategy development.
What does a theatre usher do and why is it a popular way to enter into theatre? Yolanda, who previously ushered at the Young Vic theatre, explained what her role involved.
Corina Bona has designed puppets, costumes and sets for stage plays, tours and a children's TV pilot. Her first job was as set designer for a circus company.
Martin McLean is a project manager for Deafinitely Theatre, which produces plays in British Sign Language.
Hywel Pontin, Cyfarwyddwr, Canolfan Gelfyddydau Llantarnam Grange.
Amy Bonsall studied for a postgraduate degree in theatre directing. She now freelances in the profession.
Tim had a wealth of experience as a director, writer and editor before he took on the role of creative producer intern at Project Phakama. He talks about getting trained up in backstage arts and offers advice for people who want to work their way into an arts career.
Gabrielle works as the office manager and front of house coordinator at Motorpoint Arena Cardiff, with the company Live Nation. She explains her role and how she got into the live music sector with a venue apprenticeship.
Glenn Hazard, David Bath and Kate Townley are apprentices in the Create Gloucestershire network, which has over 100 members from across the local arts and cultural sector. They discuss how they got started as apprentices, where they want to go next and offer some tips.
Oliver is an electrician by training, but his love of theatre led him to a career at The Crescent Arts Centre. Oliver takes care of sound, lighting and sets for a broad range of the centre’s clients.
Liz is a freelance make-up and hair designer. She has worked on film and television productions in Northern Ireland, Ireland and in England, such as City of Ember, Killing Bono and Game of Thrones.
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