46 Creative people in total for Backstage
Darren Joyce, Head of Operations, Cardiff Theatrical Services.
Inka works as a programming intern at Sadler's Wells in a role which is part-funded by the Creative Employment Programme. So what exactly does programming involve and what skills can you learn? This Is It! spoke to her to find out.
Brian set up Production Services Ireland (PSI) in 1996 to meet the growing needs of the industry. Now Northern Ireland’s leading technical production company, they provide lighting for events such as Tennents Vital, Giro D’Italia and Riverdance production in China.
Amy Bonsall studied for a postgraduate degree in theatre directing. She now freelances in the profession.
Hanna is a dramaturg at Tinderbox Theatre Company in Northern Ireland. She makes sure the various elements of a show communicate the director and designers' vision effectively.
Julian Bryant teaches technical theatre. He has also worked as a stage manager and actor.
Rose Durbin is a front-of-house engineer, responsible for running the sound mixdesk at live concerts.
Danny started out working front-of-house at a theatre. From there he got into the technical side of staging opera and live events.
Anna worked her way up to being a deputy technical manager through being a stage manager with touring shows. She outlines her career journey and offers 3 top tips for getting into this area of backstage work.
Nualla is a professional freelance make-up artist based in Northern Ireland, but working internationally. She has been involved in many screen productions, such as the Universal Pictures film Dracula Untold. She has worked at both Belfast and London Fashion Week.
Steven "Wilky" Wilkins started out as a technician and now freelances in production carpentry. He has both a forklift truck licence and a diploma in stage make-up.
Liz is a freelance make-up and hair designer. She has worked on film and television productions in Northern Ireland, Ireland and in England, such as City of Ember, Killing Bono and Game of Thrones.
Oliver is an electrician by training, but his love of theatre led him to a career at The Crescent Arts Centre. Oliver takes care of sound, lighting and sets for a broad range of the centre’s clients.
As artistic director of Fluid Motion Theatre Company, Leigh Johnstone makes sure the theatre the company creates reflects its aims.
Di Spalding has been working as a scenic artist for 25 years. She is self-employed and works from her own studio, creating scenery for theatrical sets.
John Liddell is the head of costume for Scottish Opera. In this short video clip he talks about the role of a costume maker and the choices people have to make for a costume career.
Miri Birch studied design for the stage at the Central School of Speech and Drama. She has now overseen the costuming of shows for a number of theatre companies.
Seiso, Mpho, Letsebela and Wandile are technical production trainees for the South African Roadies Association, which provides young people with training and employment skills for the music tech industry. They discussed their experiences of working and learning so far.
Chris studied lighting design. Now he makes sure the light shines favourably on West End musical Billy Elliot.
Kate Unwin is a freelance set and costume designer. Her work is split between home, where she designs, and the theatres where her designs are built.
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