46 Creative people in total for Backstage
Boomsatsuma desribes itself as ‘the community interest company that's fueling the next creative generation’. Formed in 2009, they have created 13 apprenticeships and internships with funding from the Creative Employment Programme. We met with some of their young staff to talk about how they've found it.
Darren Joyce, Pennaeth Gweithrediadau, Cardiff Theatrical Services.
After getting a part in Grease, Toby launched a long career in musical theatre. He now teaches singing and still performs with a band.
Ed Cooper, from London, is a stage electrician. Trained in stage management, he has worked on several West End musical theatre shows.
From school assemblies to the 2012 Olympics, Miles has been working his way up in a backstage career since he was 15. He talked to us about his journey and gave some top tips for working backstage.
Brian set up Production Services Ireland (PSI) in 1996 to meet the growing needs of the industry. Now Northern Ireland’s leading technical production company, they provide lighting for events such as Tennents Vital, Giro D’Italia and Riverdance production in China.
Danny started out working front-of-house at a theatre. From there he got into the technical side of staging opera and live events.
Neil Butler set up Brighton's famous, and sadly now closed, Zap Club. The former drama teacher specialises in running outdoor festivals and events.
Liz is a freelance make-up and hair designer. She has worked on film and television productions in Northern Ireland, Ireland and in England, such as City of Ember, Killing Bono and Game of Thrones.
Steve Cheney has managed the main stages at Glastonbury, Latitude, Big Chill and Leeds festivals.
Amy Bonsall studied for a postgraduate degree in theatre directing. She now freelances in the profession.
Hanna is a dramaturg at Tinderbox Theatre Company in Northern Ireland. She makes sure the various elements of a show communicate the director and designers' vision effectively.
As artistic director of Fluid Motion Theatre Company, Leigh Johnstone makes sure the theatre the company creates reflects its aims.
Julian Bryant teaches technical theatre. He has also worked as a stage manager and actor.
While working in telesales, Peter discovered an interest in how people used their voices. He is now an established voice coach.
Costume designer Mona Kastell specialises in costume for street arts and circus companies.
Kate Unwin is a freelance set and costume designer. Her work is split between home, where she designs, and the theatres where her designs are built.
Darren Joyce, Head of Operations, Cardiff Theatrical Services.
Bethany is a freelance make-up artist at the beginning of her career. She explains the highs and lows of her job so far and how others can get started.
Mole Wetherell trained as a designer, and is now artistic director of theatre company Reckless Sleepers.
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