32 Industry insights in total for Backstage
Diane Prentice, of the Wales Millennium Centre, spoke about how she got into technical theatre. Two of her Creative Apprentices described their new pathways into backstage work.
Scenic artists are responsible for painting sets, scenery backdrops and large props, bringing colour to a theatre production. Leila Kalbassi is the Design Assistant/Scenic Artist for the Dundee Repertory Theatre.
Susan Elkin is the author of 'So You Want To Work In Theatre?’ – a guide for young people who want to work in the theatre world. She shared five pieces of advice about careers in theatre.
The role of stage manager is a busy and challenging one. Laura Flowers was Resident Stage Manager at the Almeida Theatre, and explains how she got into stage management.
Alison Pottinger became interested in signing for theatre after stage managing a signed performance. She spoke about the skills it requires, and the opportunities signing opens up for performers and audiences.
Chris Greenwood spoke about his career path from DJ to club promoter to marketing and running festivals.
Anyone can be a producer – all you need is absolute determination to get a show on stage, a source of money to back you, a network of the best possible creative talent, access to a theatre, skills in budgeting and marketing, and the luck of being in the right place with the right show at the right time.
sevens7 are a live events company, specialising in event management, show production, tour support, event IT and brand activation. They’ve worked everything from large-scale summer festivals to the Diamond Jubilee.
Steve Mayo is the Head of Sound for Barbican Theatres. He spoke about how he got the training and experience to build his career in theatre, and how he keeps the passion for his work.
Bruno Poet is an award-winning lighting designer who has worked extensively with theatre and opera companies all over the world.
Veronica Berg moved from Sweden to train at the Guildhall School of Music and Drama. Five years after graduating, she has worked on shows and tours all around Britain and abroad.
Dawn Thomas-Mondo runs Marigold Costumes in Cardiff, the largest company of its kind in Wales. She told us about how she got started, and running her creative business.
Simon Lovelace, founder of technical crew training company Crewclass, has seven tips for finding backstage technical work.
Theatre would be nothing without people working behind the scenes to bring it alive. Chichester Youth Theatre teaches young people the skills they need to work backstage.
Currently the Deputy Stage Manager (DSM) for a new play heading for the West End, Felix D didn't take the usual road into theatre stage management. He originally planned to be an actor.
Chris Slann, Sharon George and Helen Davenport work and teach at the Carnival Learning Centre on the Isle of Wight. They spoke to Creative Choices about the varied skills needed for a career working in carnival.
When Troy Fairclough and his sister-in-law decided to stage a one-woman show about jazz legend Billie Holiday, there were challenges to face, along with a tight budget. He recalled the process.
Dan Large's career in lighting has seen him travel the world, working with famous actors and directors. He illuminates his career journey and gives top tips for working in the lighting industry.
Gayle Playford is a costume workroom manager and head costume cutter for period drama on TV. Her work has been featured in the BBC Two adaptation of Wolf Hall, among many other screen productions. Here she offers six pieces of advice for a career in costume for screen.
Working in performance does not always provide a constant income. Most artists balance a variety of part-time roles and should always consider sources of future income.
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