Heritage


49 Industry insights in total for Heritage


“The client is after value and experience, so show them you can offer both” Image: Emma Metcalfe

10 myths about illustration

Emma is a freelance heritage illustrator, who works on trails, guidebooks and maps for stately homes and castles. She uses her own experiences to discuss ten myths about illustration.


One effect of digitisation is to increase access to archive and library collections.

New technology for libraries

Increasingly, libraries and archives use technology to change the way we can access and use the material they hold. Technology is also helping behind the scenes to manage library stock efficiently.


Jimmy Milliken is the volunteer co-ordinator at the National Trust.

Working at Giant’s Causeway

National Trust volunteer co-ordinator Jimmy Milliken talks about his job, and reveals the mythical origin of a heritage site in Northern Ireland.


Ben Giles is a Creative Apprentice at the Royal West England Academy of Art.

Getting ahead in heritage

Ben Giles, a Creative Apprentice at the Royal West England Academy of Art, describes how he learns on the job while doing a qualification in Cultural and Heritage Venue Operations.


Liz Goodman, Archaeological conservator	at the Museum of London

Careers in archaeology

Taryn Nixon, Managing Director of the Museum of London Archaeology, talks about the variety of work done by the 200 archaeologists there, and the best ways to get into the field.


John Birds is a joiner and cabinet maker at Chatsworth House.

A career in woodwork

John Birds is a joiner and cabinet maker at the Chatsworth House stately home. His job is anything to do with anything to do with woodwork, joinery and cabinet making.


Communication skills are vital for education work.

Working in arts education

Three education practitioners from Shakespeare's Globe, Chatsworth House and Derry Tower Museum spoke about their career journeys, and why an arts organisation's education department is a valuable asset.


Hannah provides full administrative support to the team at Tyntesfield.

Property administrator

Hannah Seward-Thompson has a busy role as property administrator at Tyntesfield, a Grade 1 listed National Trust property in Somerset.


Julia's work as Learning Manager helps Birmingham Museums deliver a programme of learning activities for a range of ages.

4 tips for heritage education

What is it like to work in a museum, planning the programme of activities, talks and educational events? Julia Kirby, Learning Manager for Birmingham Museums Trust, shared four pieces of advice for getting into heritage education.


Colour after Klein, The Barbican, 2005

Senior curator at The Barbican

Jane Alison is Senior Curator at The Barbican, where she has worked for 25 years. Her work includes organising exhibitions and events, editing catalogues and managing a core exhibitions team of 12.


Described as the World Museum, the British Museum shows this diversity in their people. Image: The Trustees of the British Museum.

Working in heritage research

Jeremy Hill is the Research Manager for The British Museum and led the 'History of the World through 100 objects' project. He shares his journey and 7 tips for a being a good recruit.


Tanya's work mixes heritage conservation with technical skill and artistic creativity.

An archaeological illustrator

As a specialist archaeological illustrator, Tanya Berks creates artistic reconstructions of archaeological sites, but also assists with land surveying, technical drawing, and conservation. She spoke about her career journey.


The National Maritime Museum in Cornwall currently has 175 volunteers, managed by HR Manager Linda Frost.

9 tips for good volunteering

If you’re considering a route into a cultural heritage career, or are looking to recruit volunteers, here are nine things you should know about volunteering in the sector.


Stonemasonry requires a high level of practical artistic skill. Image © Briony Campbell

Working as a stonemason

Trevor Hardy is Master Mason at Hardwick Hall, a National Trust property in Derbyshire. He spoke about his career journey as a stonemason, and the skills needed to start out in stonemasonry.


Some archaeologists stay in university doing research and teaching.

Start a career in archaeology

Archaeology is popular. You see it on television, local societies and heritage groups. But if you want to become a professional archaeologist, where do you start?


6 tips for being a gallery curator

Héloïse Parke is the curator of The Aram Gallery, one of London’s only non-commercial contemporary design galleries. She offers six pieces of advice for working as a gallery curator.


Alison is the author of 'How to Get a Job in a Museum or Gallery' and co-author of 'How to Get a Job in Publishing'.

10 tips for a creative career

Alison Baverstock has written books on being a writer and how to find a job in both publishing and heritage. Having worked in a variety of creative jobs, she shared 10 pieces of advice for any creative career.


Take every opportunity to learn or try something new.

Get the most from volunteering

A volunteer placement in an arts or heritage venue gives you the opportunity to build contacts and gain experience. But what should you do to make the most of the experience?


Running heritage tours by bike

John Warland started Mind The Gap Tours, a tour company that guides visitors by bike to London heritage attractions. He shares how the idea began and his top 3 insights for running heritage tours.


Louise King is an archivist at The Royal College of Surgeons of England.

How to become an archivist

The world of archives has shaken off its image of dusty old manuscripts and embraced digital technology for the ancient practice of record preservation. As an archivist you could well find yourself at the cutting edge of new developments.


Get Into Heritage has joined with Creative Choices

Get Into heritage

Stay updated

Sign up for our weekly careers newsletter

View our privacy policy.