Music Management


34 Industry insights in total for Music Management


The Cato Academy trains future road crew and connects you with real professionals who work with some of the biggest artists in the world.

How to work backstage at a gig

Have you ever gone to a gig and wished you were working on it? Or maybe you’ve gone to a festival and wondered how it was all put together? Live music is a huge part of the music industry and there are lots of opportunities for getting involved.


Simon Banks talks about his role as an Artist Manager and how he got into the industry.

Working as a music manager

Simon Banks is the founder of SB Management, based in Shepherd’s Bush, who manage several music artists. He describes a regular working day as an Artist Manager.


Marcus Davey is Chief Executive of the Roundhouse. Photo by Steffan Hill.

Concerts and arts management

Since he was a teenager, Marcus Davey has enjoyed 'putting on concerts, making things happen.' This passion has led him to become Arts Manager for Dartington Hall Trust and Chief Executive of the Roundhouse.


Suzanne Rolt is the director at St George's Bristol.

Take charge of your career

Staying at the same organisation for a long period of time can result in your skills stagnating. Suzanne Rolt told Creative Choices how she ensures continuing professional development as director of St George's music venue.


Eric Lau has worked with artists such as Lupe Fiasco and has toured with Erykah Badu.

Being a hip hop producer

Hip hop producer Eric Lau started out trying to emulate his musical heroes. Gradually he learned to record his own tracks. From there he got into production. He spoke about his career journey.


Design internships helped Rhiannon gain industry experience after university.

Making an internship work

Rhiannon Jones is a graphic designer working for Warner Music Group. She spoke about how a 3 month internship led to a permanent job in the music industry.


Scott Williams is an accounts payable clerk at Live Nation.

How to make a living in music

Digital recording studios, online music stores, on-demand streaming and webcasting. New technologies have greatly reduced the cost barriers to the creation, distribution and sale of music. So how do musicians generate income from these opportunities?


Kathrin DeBoer is the singer of Belleruche.

Touring music band

Belleruche is a band that performs 'Turntable Soul' music. Comprised of Kathrin DeBoer, Ricky Fabulous and DJ Modest, they have several albums with independent label Tru Thoughts.


Carlo set up his own company to exploit a localised knowledge that the larger promotion companies did not have.

Working as a music promoter

Carlo Solazzo is head promoter and founder of Birmingham Promoters. He spoke about the challenges he faces, the key to a successful career and the role of the promoter in the music scene.


Mark Gurney, Music4all, Brixton.

Marketing your band online

Bands and musicians need to market themselves, but creating an online fan base can be time-consuming. Start with these five simple stages to online marketing.


St George's Bristol is a concert hall and recording studios.

Directing an arts organisation

Starting as promotions coordinator for St George's in Bristol, Suzanne Rolt is now director of the music venue. She describes how she built up leadership skills for her work.


Britannia is responsible for visitor services at the Sadler's Wells building. Photo credit Morley von Sternburg.

Managing front-of-house

Britannia Morton is Director of Visitor Services and Estates at Sadler's Wells. The department manages front-of-house, maintenance, security, health and safety, events and catering.


The Barbican offers a number of internship placements in a variety of departments. © Barbican Centre, London

Finding work in the arts

Xander Hough is a Human Resources Advisor at the Barbican Centre, working to support recruitment and internships. He gave advice on how to find employment in an arts centre.


Working as a music agent

Naomi Palmer works at the Elastic Artists agency and represents DJs Gilles Peterson and Theo Parrish. She spoke about getting into artist representation and building a career as a music agent.


ENO offers a variety of work placements across its departments. (credit: Grant Smith)

Gaining skills through work

Thinking about applying for a job or work experience in the arts? Cynthia Fordham, Personnel Manager of English National Opera, spoke about the skills and qualities required.


Brian Harvey combined his interests in psychology and DJing to start his own company

Being an arts entrepreneur

Brian Harvey launched Open Ear in Glasgow in 2007, which designs musical identities and environments for businesses. Open Ear works closely with the independent music industry in order to licence music to use in bars, cafes, shops and showrooms.


Production companies simply don't have the means to fund the launch of new artists.

5 things musicians should know about production deals

Securing a production deal can feel like an exciting next step for any musician, but there are plenty of legal pitfalls that it's important to be aware of. Here are five key points that every musician should consider before they say yes to a production agreement.


British Grove won the 2009 Music Producers Guild ‘Best Studio’ award.

Work in the recording industry

Working in a recording studio is a popular career choice. But what skills do you need to break into this highly competitive industry? We spoke to David Stewart, Studio Manager of British Grove Studios.


Shane Solanki is a songwriter for the Last Mango in Paris band

Understand band agreements

A band agreement is a contract between the individual members of a band which sets out how the band is going to conduct business together.


Maya organises the event, liaises with performers, finds sound equipment, and makes sure everything is going to work.

Running a creative event

Maya Levy is an actor, singer-songwriter and pianist. She is also artistic director of the Open Arts Café evenings, where artists present original work to a supportive audience.


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