Music Management


34 Industry insights in total for Music Management


Artichoke is a creative company that works on large-scale outdoor events, like the 'Sultan's Elephant'.

Producing art events

Hannah Standen is an Associate Producer for Artichoke, a creative company that stages arts spectacles and live events. She talks about working with Antony Gormley's ‘One And Other’ artwork, and how she became interested in producing art events.


Brian Harvey combined his interests in psychology and DJing to start his own company

Being an arts entrepreneur

Brian Harvey launched Open Ear in Glasgow in 2007, which designs musical identities and environments for businesses. Open Ear works closely with the independent music industry in order to licence music to use in bars, cafes, shops and showrooms.


Britten Sinfonia is a chamber orchestra ensemble based in Cambridge, UK.

Leading a chamber orchestra

Britten Sinfonia chamber orchestra is known for its adventurous approach to programming. Challenging perceptions of classical music, the ensemble has risen over the past decade to become one of the UK's top chamber orchestras.


Tommy Four Seven has worked as a DJ, both producing his own music and playing in clubs. Photo: Ralf Obergfell

5 tips for a DJ career

Tommy Four Seven got his first club residency at the age of 17 and has worked his way up to launching his own record label. He shared five pieces of advice for succeeding as a DJ.


ENO offers a variety of work placements across its departments. (credit: Grant Smith)

Gaining skills through work

Thinking about applying for a job or work experience in the arts? Cynthia Fordham, Personnel Manager of English National Opera, spoke about the skills and qualities required.


Brian Houston is a singer-songwriter from Belfast.

Run your own music business

Belfast-based rock and gospel musician Brian Houston is his own music business. He talks about doing everything, from recording and mastering to distribution.


Working as a music agent

Naomi Palmer works at the Elastic Artists agency and represents DJs Gilles Peterson and Theo Parrish. She spoke about getting into artist representation and building a career as a music agent.


Carlo set up his own company to exploit a localised knowledge that the larger promotion companies did not have.

Working as a music promoter

Carlo Solazzo is head promoter and founder of Birmingham Promoters. He spoke about the challenges he faces, the key to a successful career and the role of the promoter in the music scene.


Marcus Davey is Chief Executive of the Roundhouse. Photo by Steffan Hill.

Concerts and arts management

Since he was a teenager, Marcus Davey has enjoyed 'putting on concerts, making things happen.' This passion has led him to become Arts Manager for Dartington Hall Trust and Chief Executive of the Roundhouse.


Dan Howson, center, is a Business Development Director at live events company, sevens7.

Getting into live events

sevens7 are a live events company, specialising in event management, show production, tour support, event IT and brand activation. They’ve worked everything from large-scale summer festivals to the Diamond Jubilee.


What employers are looking for in technical staff

Working in technical theatre and live events is fun, fast-paced and rewarding. If you're curious about careers in this area, there's good news: we need more skilled technicians in lighting, sound and stage, and available routes in are changing for the better. Here are 4 things employers in the industry are actually looking for.


Who are the people working to support the carer of a music artist?

A guide to the music industry

Who are the different people that make a signed act work? This is an overview of the various roles that work with music artists – understand what they do and where you can fit in.


Production companies simply don't have the means to fund the launch of new artists.

5 things musicians should know about production deals

Securing a production deal can feel like an exciting next step for any musician, but there are plenty of legal pitfalls that it's important to be aware of. Here are five key points that every musician should consider before they say yes to a production agreement.


Becoming a music producer

Music producer Eric Lau started out studying business. When a personal tragedy changed his outlook on life, he found his passion in music. Read about how he ended up excelling in the music industry.


Understand how musicians can make money from the music industry.

Making money from music

A lot of people want to get into music, but very few understand how they'll be paid once they do. Knowing more about the money means you'll be better armed to take on the business on your own terms.


Kathrin DeBoer is the singer of Belleruche.

Touring music band

Belleruche is a band that performs 'Turntable Soul' music. Comprised of Kathrin DeBoer, Ricky Fabulous and DJ Modest, they have several albums with independent label Tru Thoughts.


Greenbelt festival is a liberal Christian arts festival with comedy, speakers and big bands.

Running a festival

Rachel Stringer is a producer and programmer of live events. She has programmed events for 21,000 people, including theatre, film, dance, youth events and workshops.


Scott Williams is an accounts payable clerk at Live Nation.

How to make a living in music

Digital recording studios, online music stores, on-demand streaming and webcasting. New technologies have greatly reduced the cost barriers to the creation, distribution and sale of music. So how do musicians generate income from these opportunities?


Maya organises the event, liaises with performers, finds sound equipment, and makes sure everything is going to work.

Running a creative event

Maya Levy is an actor, singer-songwriter and pianist. She is also artistic director of the Open Arts Café evenings, where artists present original work to a supportive audience.


Simon Banks talks about his role as an Artist Manager and how he got into the industry.

Working as a music manager

Simon Banks is the founder of SB Management, based in Shepherd’s Bush, who manage several music artists. He describes a regular working day as an Artist Manager.


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