34 Industry insights in total for Music Management
Britannia Morton is Director of Visitor Services and Estates at Sadler's Wells. The department manages front-of-house, maintenance, security, health and safety, events and catering.
Starting as promotions coordinator for St George's in Bristol, Suzanne Rolt is now director of the music venue. She describes how she built up leadership skills for her work.
Xander Hough is a Human Resources Advisor at the Barbican Centre, working to support recruitment and internships. He gave advice on how to find employment in an arts centre.
Since he was a teenager, Marcus Davey has enjoyed 'putting on concerts, making things happen.' This passion has led him to become Arts Manager for Dartington Hall Trust and Chief Executive of the Roundhouse.
Working in a recording studio is a popular career choice. But what skills do you need to break into this highly competitive industry? We spoke to David Stewart, Studio Manager of British Grove Studios.
Simon Banks is the founder of SB Management, based in Shepherd’s Bush, who manage several music artists. He describes a regular working day as an Artist Manager.
A band agreement is a contract between the individual members of a band which sets out how the band is going to conduct business together.
Eugenia Bertin is a songwriter, performer and wheelchair user. She founded the charity 'Eugenia Unique' to give disabled artists a platform to get their music heard.
Music producer Eric Lau started out studying business. When a personal tragedy changed his outlook on life, he found his passion in music. Read about how he ended up excelling in the music industry.
Rhiannon Jones is a graphic designer working for Warner Music Group. She spoke about how a 3 month internship led to a permanent job in the music industry.
Staying at the same organisation for a long period of time can result in your skills stagnating. Suzanne Rolt told Creative Choices how she ensures continuing professional development as director of St George's music venue.
sevens7 are a live events company, specialising in event management, show production, tour support, event IT and brand activation. They’ve worked everything from large-scale summer festivals to the Diamond Jubilee.
Rachel Stringer is a producer and programmer of live events. She has programmed events for 21,000 people, including theatre, film, dance, youth events and workshops.
Naomi Palmer works at the Elastic Artists agency and represents DJs Gilles Peterson and Theo Parrish. She spoke about getting into artist representation and building a career as a music agent.
Carlo Solazzo is head promoter and founder of Birmingham Promoters. He spoke about the challenges he faces, the key to a successful career and the role of the promoter in the music scene.
Thinking about applying for a job or work experience in the arts? Cynthia Fordham, Personnel Manager of English National Opera, spoke about the skills and qualities required.
Bands and musicians need to market themselves, but creating an online fan base can be time-consuming. Start with these five simple stages to online marketing.
Britten Sinfonia chamber orchestra is known for its adventurous approach to programming. Challenging perceptions of classical music, the ensemble has risen over the past decade to become one of the UK's top chamber orchestras.
Have you ever gone to a gig and wished you were working on it? Or maybe you’ve gone to a festival and wondered how it was all put together? Live music is a huge part of the music industry and there are lots of opportunities for getting involved.
Music mangers Billy Grant and Rob Stuart founded recording label 2Point9, and later Jayded Entertainment Ltd. They’re responsible for the internationally successful artist Jay Sean, who recently had a number one single in America.
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