Production


37 Industry insights in total for Production


Alison has worked with deaf and hard of hearing theatre practitioners to develop a series of signs for technical theatre terminology.

Sign language for theatre

Alison Pottinger became interested in signing for theatre after stage managing a signed performance. She spoke about the skills it requires, and the opportunities signing opens up for performers and audiences.


Nina Kristofferson, who starred as Billie Holiday in 'I Cover The Waterfront', has since returned to the role in other productions.

7 steps for producing a play

When Troy Fairclough and his sister-in-law decided to stage a one-woman show about jazz legend Billie Holiday, there were challenges to face, along with a tight budget. He recalled the process.


Despite advances in theatre technology, brushes and a basic spray gun remain tools of choice for a scenic artist.

Theatre scenic artist

Scenic artists are responsible for painting sets, scenery backdrops and large props, bringing colour to a theatre production. Leila Kalbassi is the Design Assistant/Scenic Artist for the Dundee Repertory Theatre.


Bev Adams is Artistic Director and CEO of Faceless.

Surviving the funding squeeze

Bev Adams is Artistic Director and CEO of Faceless, a professional arts organisation working to create access to the arts. She spoke to us about setting up Faceless, and her thoughts on the reduction of public spending.


Wind Shadow performed by Cloud Gate Dance Theatre of Taiwan. Photo by LIU Chen-hsiang.

Admin producer at The Barbican

Malin Forbes works for Barbican International Theatre Events (BITE). When first trying to break into theatre, she spent two years living hand-to-mouth.


Casting directors have only become a big part of acting over the last twenty years.

Casting director for theatre

Stuart Burt is associate casting director at The Ambassador Theatre Group, one of the UK’s leading West End theatre producers.


Fay Fullerton is Head of Production Costume at the Royal Opera House

Building a costume career

Fay Fullerton is Head of Production Costume at The Royal Opera House. She describes how she got into the industry, with advice for people wanting to get into costume careers.


Rhiannon Ellis is the Learning & Community Engagement Manager for Theatre Royal Wakefield.

Find your creative calling

Rhiannon Ellis began her creative career as a theatre director, and is now Learning & Community Engagement Manager for Theatre Royal Wakefield. She spoke to Creative Choices about how she changed her career to work with people and communities.


A newly visible, richer, skilled workforce.

Beyond Participation

Open Theatre is based in Coventry and works right across the West Midlands region as well as nationally and internationally. It has been developing work with young people with learning disabilities through non-verbal physical theatre for over 30 years. Partnership Manager for the Midlands, Ruth Richardson, spoke to company director Richard Hayhow, to find out more about their work and how they employ young creatives.


Borneo Brown is Sound Operations Manager for the National Theatre.

Sound and video technician

Borneo Brown is Sound Operations Manager for the National Theatre. He spoke to Creative Choices about a creative career that requires both theoretical education and practical experience.


In 2012, Bruno won the Olivier Award for Best Lighting Design for his work on Frankenstein at the National Theatre.

Working as a lighting designer

Bruno Poet is an award-winning lighting designer who has worked extensively with theatre and opera companies all over the world.


How to work in costume for screen

Gayle Playford is a costume workroom manager and head costume cutter for period drama on TV. Her work has been featured in the BBC Two adaptation of Wolf Hall, among many other screen productions. Here she offers six pieces of advice for a career in costume for screen.


The world of theatre contains a very wide range of careers aside from acting. (Image: Royal Conservatoire of Scotland)

Getting started with theatre

Susan Elkin is the author of 'So You Want To Work In Theatre?’ – a guide for young people who want to work in the theatre world. She shared five pieces of advice about careers in theatre.


Nick Brice is Director of White Room Theatre.

Short plays for new writers

Nick Brice is Director of White Room Theatre. He is pushing the art form of the ten-minute play at the Fringe. He told Creative Choices how he came up with the idea and how it can help new playwrights get exposure.


Steve Mayo is the head of sound for Barbican Theatres.

Working as a sound designer

Steve Mayo is the Head of Sound for Barbican Theatres. He spoke about how he got the training and experience to build his career in theatre, and how he keeps the passion for his work.


Dan Howson, center, is a Business Development Director at live events company, sevens7.

Getting into live events

sevens7 are a live events company, specialising in event management, show production, tour support, event IT and brand activation. They’ve worked everything from large-scale summer festivals to the Diamond Jubilee.


Sayan Kent's play 'Another Paradise' was staged by Kali Theatre and taken to the Edinburgh Fringe festival. Image: Kali Theatre

Taking a play to the Fringe

Sayan Kent describes how Kali Theatre Company helped bring her play to the Edinburgh Fringe Festival, and the support they provide for Asian women playwrights.


Stage lighting certainly isn’t a ‘one size fits all’ set-up and should be tailored to your performance genre.

Light up the stage with 4 basic principles

Between rigs, fresnels and gobos, stage lighting can seem endlessly complex to those of us starting out. We’d be lying if we said it was simple, but that doesn’t mean you need ‘expert’ status in order to effectively light a dramatic scene or performance.


Jeremy Walker, is an assistant project manager and Tracy Gentles is a performance projects manager at Fuel Theatre

Project-managing theatre

Jeremy Walker, an assistant project manager and Tracy Gentles, a performance projects manager, talk about starting their careers behind the scenes.


Dawn Thomas-Mondo has built up a collection of thousands of costumes

Running a costume business

Dawn Thomas-Mondo runs Marigold Costumes in Cardiff, the largest company of its kind in Wales. She told us about how she got started, and running her creative business.


Stay updated

Sign up for our weekly careers newsletter

View our privacy policy.