Theatre


101 Industry insights in total for Theatre


Some of Charlie's works include award-winning sketch group 'Lady Garden'.

A comedy producer’s career

Charlie Hanson is an award-winning comedy producer whose work includes Birds of a Feather, Desmonds, The Harry Hill Show and Extras. He spoke about following a career in production.


Bev Adams is Artistic Director and CEO of Faceless.

Surviving the funding squeeze

Bev Adams is Artistic Director and CEO of Faceless, a professional arts organisation working to create access to the arts. She spoke to us about setting up Faceless, and her thoughts on the reduction of public spending.


Alison has worked with deaf and hard of hearing theatre practitioners to develop a series of signs for technical theatre terminology.

Sign language for theatre

Alison Pottinger became interested in signing for theatre after stage managing a signed performance. She spoke about the skills it requires, and the opportunities signing opens up for performers and audiences.


Live music is an essential element to musical theatre. Images: Britten Sinfonia

A musician in musical theatre

Live music is a key part of musical theatre. But tighter budgets can mean reduced band sizes, or even the automation of music altogether. 3 tips for breaking into musical theatre:


Becoming a technical manager

Rob Lloyd's journey into technical management started with him doing "bottom of the pile" work in theatre, but evolved into roles with much greater responsibility as he rapidly gained new skills. He eventually sidestepped into the music industry. Read more about his career.


American Tribal Style is a fusion of Middle Eastern, flamenco and Indian stylisations.

Get into tribal bellydancing

Samantha Hasthorpe used to work in construction and had no dance experience. But after seeing Fat Chance Bellydance perform at Majma Dance Festival she knew what she wanted to do.


The NYT focuses on the creative development of young people.

A career in youth theatre

The National Youth Theatre focuses on the social and creative development of young people. They provide workshops and training for performance and stage production. Artistic Director Paul Roseby spoke to Choices.


Communication skills are vital for education work.

Working in arts education

Three education practitioners from Shakespeare's Globe, Chatsworth House and Derry Tower Museum spoke about their career journeys, and why an arts organisation's education department is a valuable asset.


Despite advances in theatre technology, brushes and a basic spray gun remain tools of choice for a scenic artist.

Theatre scenic artist

Scenic artists are responsible for painting sets, scenery backdrops and large props, bringing colour to a theatre production. Leila Kalbassi is the Design Assistant/Scenic Artist for the Dundee Repertory Theatre.


Britannia is responsible for visitor services at the Sadler's Wells building. Photo credit Morley von Sternburg.

Managing front-of-house

Britannia Morton is Director of Visitor Services and Estates at Sadler's Wells. The department manages front-of-house, maintenance, security, health and safety, events and catering.


Geoff Colman is Head of Acting at Central School of Speech and Drama.

Head of Acting, drama school

Geoff Colman has been Head of Acting at Central School of Speech and Drama in London for eleven years. He has taught in both higher education and conservatoire contexts, and has worked as a freelance director in theatre and opera.


Dan Howson, center, is a Business Development Director at live events company, sevens7.

Getting into live events

sevens7 are a live events company, specialising in event management, show production, tour support, event IT and brand activation. They’ve worked everything from large-scale summer festivals to the Diamond Jubilee.


Corina peforms, creates and runs workshops with puppets.

Being a puppeteer

Corina Bona is a multi-talented puppeteer, whose career is a successful blend of performance, bespoke puppet-making and workshop facilitation. She spoke about a career in puppetry.


Nick Brice is Director of White Room Theatre.

Short plays for new writers

Nick Brice is Director of White Room Theatre. He is pushing the art form of the ten-minute play at the Fringe. He told Creative Choices how he came up with the idea and how it can help new playwrights get exposure.


Casting directors have only become a big part of acting over the last twenty years.

Casting director for theatre

Stuart Burt is associate casting director at The Ambassador Theatre Group, one of the UK’s leading West End theatre producers.


Katrina Gilroy is Production Manager at the National Theatre.

Theatre production manager

Katrina Gilroy is Production Manager at the National Theatre. She describes the theatre production process and the role of production manager.


Dawn Thomas-Mondo has built up a collection of thousands of costumes

Running a costume business

Dawn Thomas-Mondo runs Marigold Costumes in Cardiff, the largest company of its kind in Wales. She told us about how she got started, and running her creative business.


Maya organises the event, liaises with performers, finds sound equipment, and makes sure everything is going to work.

Running a creative event

Maya Levy is an actor, singer-songwriter and pianist. She is also artistic director of the Open Arts Café evenings, where artists present original work to a supportive audience.


Let the casting director see a clear difference between you and the character you have evolved into. (Image: Suraya Jina and Mansoor Mir)

3 stages of an audition

Starting out as an actor? Martha Shephard of To Be Seen, an online audition resource for actors, discusses how to get the part and avoid common audition mistakes.


Jude Kelly is the artistic director of the Southbank (photo credit Matt Faber PA)

Jude Kelly, Southbank

The career of Jude Kelly has spanned over thirty years. Artistic Director of Battersea Arts Centre, West Yorkshire Playhouse and the Southbank, she has become one of the most respected figures in the British arts scene.


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