Theatre


101 Industry insights in total for Theatre


Working as a fire performer

A former electrician, fire performer Tim Marston developed his act and launched his business, Juggling Inferno, from scratch. He spoke about his career and shared 5 tips for freelance performers.


In 2012, Bruno won the Olivier Award for Best Lighting Design for his work on Frankenstein at the National Theatre.

Working as a lighting designer

Bruno Poet is an award-winning lighting designer who has worked extensively with theatre and opera companies all over the world.


Borneo Brown is Sound Operations Manager for the National Theatre.

Sound and video technician

Borneo Brown is Sound Operations Manager for the National Theatre. He spoke to Creative Choices about a creative career that requires both theoretical education and practical experience.


Communication skills are vital for education work.

Working in arts education

Three education practitioners from Shakespeare's Globe, Chatsworth House and Derry Tower Museum spoke about their career journeys, and why an arts organisation's education department is a valuable asset.


The Creative & Cultural Industries Team, Barking & Dagenham College

The Creative & Cultural Industries Team at Barking & Dagenham College won the 2018 Creative & Cultural Skills Training Provider of the Year Award. We spoke to Games, Art & Animation Course Leader and Creative Skills Project Co-ordinator, Katie Morgan, about their work and success.


Jude Kelly is the artistic director of the Southbank (photo credit Matt Faber PA)

Jude Kelly, Southbank

The career of Jude Kelly has spanned over thirty years. Artistic Director of Battersea Arts Centre, West Yorkshire Playhouse and the Southbank, she has become one of the most respected figures in the British arts scene.


Jess Manley is an agent with Damn Good Voices.

Being a voiceover agent

Jess Manley is an agent with Damn Good Voices, an agency that offers voiceover representation to actors and broadcasters. Finding voice work for others is an interesting challenge.


Katrina Gilroy is Production Manager at the National Theatre.

Theatre production manager

Katrina Gilroy is Production Manager at the National Theatre. She describes the theatre production process and the role of production manager.


The Barbican offers a number of internship placements in a variety of departments. © Barbican Centre, London

Finding work in the arts

Xander Hough is a Human Resources Advisor at the Barbican Centre, working to support recruitment and internships. He gave advice on how to find employment in an arts centre.


Lucy maintains her fitness by working on ropes and silks.

Performing as a circus acrobat

Lucy Francis performs exciting circus aerial and acrobatic acts around the world. She is also Director of AirCraft Circus Academy, based at the Thames-Side Studios in London.


Live music is an essential element to musical theatre. Images: Britten Sinfonia

A musician in musical theatre

Live music is a key part of musical theatre. But tighter budgets can mean reduced band sizes, or even the automation of music altogether. 3 tips for breaking into musical theatre:


Simon Lovelace founded CrewClass in an effort to provide greater access to backstage training.

Getting into backstage work

Simon Lovelace, founder of technical crew training company Crewclass, has seven tips for finding backstage technical work.


Theatre education practitioner

Alice Barclay is a Globe Education Practitioner. She spoke about her role at the theatre, her career journey so far and gives three tips for others looking to get into the industry.


Fay Fullerton is Head of Production Costume at the Royal Opera House

Building a costume career

Fay Fullerton is Head of Production Costume at The Royal Opera House. She describes how she got into the industry, with advice for people wanting to get into costume careers.


Amy Vaughan spent six months at the Royal Academy in London on a Cultural Leadership Programme Peach Placement.

Learning about leadership

Amy Vaughan is Director of Operations at The Junction venue in Cambridge. She spent six months at the Royal Academy in London on a Cultural Leadership Programme Peach Placement to learn about leadership and arts organisation.


Graham Lister is the Production Manager at the Curve theatre.

Designing a modern theatre

Graham Lister, Production Manager, talks about the unique design of the Curve Theatre in Leicester. The exposed nature of the theatre allows the audience to see behind the scenes.


Being an Education Projects Coordinator

Hayley Murrow organises and delivers all the educational projects that happen at the Theatre Royal, Bury St Edmunds. She explains more about her role and journey and offers tips for a creative theatre career.


Rhiannon Ellis is the Learning & Community Engagement Manager for Theatre Royal Wakefield.

Find your creative calling

Rhiannon Ellis began her creative career as a theatre director, and is now Learning & Community Engagement Manager for Theatre Royal Wakefield. She spoke to Creative Choices about how she changed her career to work with people and communities.


Britannia is responsible for visitor services at the Sadler's Wells building. Photo credit Morley von Sternburg.

Managing front-of-house

Britannia Morton is Director of Visitor Services and Estates at Sadler's Wells. The department manages front-of-house, maintenance, security, health and safety, events and catering.


A stage manager is also responsible for sourcing all of the props and furniture that are in the shows.

Get into stage management

The role of stage manager is a busy and challenging one. Laura Flowers was Resident Stage Manager at the Almeida Theatre, and explains how she got into stage management.


Get Into Theatre has joined with Creative Choices

Get Into theatre

Stay updated

Sign up for our weekly careers newsletter

View our privacy policy.