100 Industry insights in total for Theatre
Live music is a key part of musical theatre. But tighter budgets can mean reduced band sizes, or even the automation of music altogether. 3 tips for breaking into musical theatre:
Isabel Murphy used her passion for opera after university to help artists, members and staff prepare for tours. She spoke about her career and how she shaped Welsh National Opera's artistic direction.
When it's time for that acting audition, do you have your monologue prepared? Anna Jordan, director, playwright and acting tutor, offers 5 pieces of advice for mastering monologues.
Rob Lloyd's journey into technical management started with him doing "bottom of the pile" work in theatre, but evolved into roles with much greater responsibility as he rapidly gained new skills. He eventually sidestepped into the music industry. Read more about his career.
Simon Fraulo is a theatre lighting expert. He has seen big changes in technical theatre training and jobs over the years.
It’s one of the nightmares for many actors: you’re due on stage for a big opening night, but you fall ill. How are you going to get through the show?
Stuart Burt is associate casting director at The Ambassador Theatre Group, one of the UK’s leading West End theatre producers.
Scenic artists are responsible for painting sets, scenery backdrops and large props, bringing colour to a theatre production. Leila Kalbassi is the Design Assistant/Scenic Artist for the Dundee Repertory Theatre.
Hayley Murrow organises and delivers all the educational projects that happen at the Theatre Royal, Bury St Edmunds. She explains more about her role and journey and offers tips for a creative theatre career.
Borneo Brown is Sound Operations Manager for the National Theatre. He spoke to Creative Choices about a creative career that requires both theoretical education and practical experience.
Riz Ahmed has built a creative career as an actor, rapper and writer. With leading roles in The Road to Guantanamo and Four Lions, and the musical alter-ego 'Riz MC', he spoke about pursuing multiple creative interests.
Richard Croxford is the artistic director of the Lyric Theatre in Belfast. He describes how he discovered his true vocation, and what skills are needed to be a successful theatre director.
Geoff Colman has been Head of Acting at Central School of Speech and Drama in London for eleven years. He has taught in both higher education and conservatoire contexts, and has worked as a freelance director in theatre and opera.
Diane Prentice, of the Wales Millennium Centre, spoke about how she got into technical theatre. Two of her Creative Apprentices described their new pathways into backstage work.
Dawn Thomas-Mondo runs Marigold Costumes in Cardiff, the largest company of its kind in Wales. She told us about how she got started, and running her creative business.
When Troy Fairclough and his sister-in-law decided to stage a one-woman show about jazz legend Billie Holiday, there were challenges to face, along with a tight budget. He recalled the process.
Amy Vaughan is Director of Operations at The Junction venue in Cambridge. She spent six months at the Royal Academy in London on a Cultural Leadership Programme Peach Placement to learn about leadership and arts organisation.
The role of stage manager is a busy and challenging one. Laura Flowers was Resident Stage Manager at the Almeida Theatre, and explains how she got into stage management.
Can music help disadvantaged people move forward with their lives? Matt Peacock is CEO of Streetwise Opera, who work with people who have experienced homelessness. He shared 5 tips for starting your own social enterprise.
Lucy Francis performs exciting circus aerial and acrobatic acts around the world. She is also Director of AirCraft Circus Academy, based at the Thames-Side Studios in London.
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