101 Industry insights in total for Theatre
A former electrician, fire performer Tim Marston developed his act and launched his business, Juggling Inferno, from scratch. He spoke about his career and shared 5 tips for freelance performers.
Bruno Poet is an award-winning lighting designer who has worked extensively with theatre and opera companies all over the world.
Borneo Brown is Sound Operations Manager for the National Theatre. He spoke to Creative Choices about a creative career that requires both theoretical education and practical experience.
Three education practitioners from Shakespeare's Globe, Chatsworth House and Derry Tower Museum spoke about their career journeys, and why an arts organisation's education department is a valuable asset.
The Creative & Cultural Industries Team at Barking & Dagenham College won the 2018 Creative & Cultural Skills Training Provider of the Year Award. We spoke to Games, Art & Animation Course Leader and Creative Skills Project Co-ordinator, Katie Morgan, about their work and success.
The career of Jude Kelly has spanned over thirty years. Artistic Director of Battersea Arts Centre, West Yorkshire Playhouse and the Southbank, she has become one of the most respected figures in the British arts scene.
Jess Manley is an agent with Damn Good Voices, an agency that offers voiceover representation to actors and broadcasters. Finding voice work for others is an interesting challenge.
Katrina Gilroy is Production Manager at the National Theatre. She describes the theatre production process and the role of production manager.
Xander Hough is a Human Resources Advisor at the Barbican Centre, working to support recruitment and internships. He gave advice on how to find employment in an arts centre.
Lucy Francis performs exciting circus aerial and acrobatic acts around the world. She is also Director of AirCraft Circus Academy, based at the Thames-Side Studios in London.
Live music is a key part of musical theatre. But tighter budgets can mean reduced band sizes, or even the automation of music altogether. 3 tips for breaking into musical theatre:
Simon Lovelace, founder of technical crew training company Crewclass, has seven tips for finding backstage technical work.
Alice Barclay is a Globe Education Practitioner. She spoke about her role at the theatre, her career journey so far and gives three tips for others looking to get into the industry.
Fay Fullerton is Head of Production Costume at The Royal Opera House. She describes how she got into the industry, with advice for people wanting to get into costume careers.
Amy Vaughan is Director of Operations at The Junction venue in Cambridge. She spent six months at the Royal Academy in London on a Cultural Leadership Programme Peach Placement to learn about leadership and arts organisation.
Graham Lister, Production Manager, talks about the unique design of the Curve Theatre in Leicester. The exposed nature of the theatre allows the audience to see behind the scenes.
Hayley Murrow organises and delivers all the educational projects that happen at the Theatre Royal, Bury St Edmunds. She explains more about her role and journey and offers tips for a creative theatre career.
Rhiannon Ellis began her creative career as a theatre director, and is now Learning & Community Engagement Manager for Theatre Royal Wakefield. She spoke to Creative Choices about how she changed her career to work with people and communities.
Britannia Morton is Director of Visitor Services and Estates at Sadler's Wells. The department manages front-of-house, maintenance, security, health and safety, events and catering.
The role of stage manager is a busy and challenging one. Laura Flowers was Resident Stage Manager at the Almeida Theatre, and explains how she got into stage management.
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