32 Industry insights in total for Backstage
ShowTex design and manufacture fabrics and drapes for theatre and live events. They supplied the mattresses, sheets and pillows for the ‘NHS’ segment of the London 2012 Olympics opening ceremony.
Currently the Deputy Stage Manager (DSM) for a new play heading for the West End, Felix D didn't take the usual road into theatre stage management. He originally planned to be an actor.
Fay Fullerton is Head of Production Costume at The Royal Opera House. She describes how she got into the industry, with advice for people wanting to get into costume careers.
Corina Bona is a multi-talented puppeteer, whose career is a successful blend of performance, bespoke puppet-making and workshop facilitation. She spoke about a career in puppetry.
Steve Mayo is the Head of Sound for Barbican Theatres. He spoke about how he got the training and experience to build his career in theatre, and how he keeps the passion for his work.
Simon Lovelace, founder of technical crew training company Crewclass, has seven tips for finding backstage technical work.
When Troy Fairclough and his sister-in-law decided to stage a one-woman show about jazz legend Billie Holiday, there were challenges to face, along with a tight budget. He recalled the process.
Theatre would be nothing without people working behind the scenes to bring it alive. Chichester Youth Theatre teaches young people the skills they need to work backstage.
Scenic artists are responsible for painting sets, scenery backdrops and large props, bringing colour to a theatre production. Leila Kalbassi is the Design Assistant/Scenic Artist for the Dundee Repertory Theatre.
Lighting technicians set up and operate lighting equipment during theatre productions. Both creative and technical, they can use lights to achieve a variety of effects to dramatically alter the mood and shape of a performance.
Antony Barnett is Head of Props at the Royal Opera House. Hired in the mid-1980s as a prop maker, his role has become more managerial in recent years.
sevens7 are a live events company, specialising in event management, show production, tour support, event IT and brand activation. They’ve worked everything from large-scale summer festivals to the Diamond Jubilee.
Anyone can be a producer – all you need is absolute determination to get a show on stage, a source of money to back you, a network of the best possible creative talent, access to a theatre, skills in budgeting and marketing, and the luck of being in the right place with the right show at the right time.
Philip Bateman is a musical director and singing coach. He has worked on West End shows like Billy Elliot and Our House. He spoke about how he built his career in musical theatre.
Susan Elkin is the author of 'So You Want To Work In Theatre?’ – a guide for young people who want to work in the theatre world. She shared five pieces of advice about careers in theatre.
Veronica Berg moved from Sweden to train at the Guildhall School of Music and Drama. Five years after graduating, she has worked on shows and tours all around Britain and abroad.
Borneo Brown is Sound Operations Manager for the National Theatre. He spoke to Creative Choices about a creative career that requires both theoretical education and practical experience.
Bruno Poet is an award-winning lighting designer who has worked extensively with theatre and opera companies all over the world.
Between rigs, fresnels and gobos, stage lighting can seem endlessly complex to those of us starting out. We’d be lying if we said it was simple, but that doesn’t mean you need ‘expert’ status in order to effectively light a dramatic scene or performance.
Working in performance does not always provide a constant income. Most artists balance a variety of part-time roles and should always consider sources of future income.
Get Into Theatre has joined with Creative Choices
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