Production


37 Industry insights in total for Production


Nina Kristofferson, who starred as Billie Holiday in 'I Cover The Waterfront', has since returned to the role in other productions.

7 steps for producing a play

When Troy Fairclough and his sister-in-law decided to stage a one-woman show about jazz legend Billie Holiday, there were challenges to face, along with a tight budget. He recalled the process.


Theatre companies are exploring pervasive media

Pervasive media

Katie Day spoke to Creative Choices about pervasive media, the current climate for public funding and the arts, and what she'll bring back from her Peach Placement.


Candoco is the UK's first professional dance company that integrates disabled and non-disabled dancers.

Candoco Dance Company

Candoco Dance Company started in 1991 as a series of workshops and developed into the UK's first professional dance company that integrated disabled and non-disabled dancers.


The Little Mermaid was one of The Rep's theatre productions.

Lighting up the stage

Lighting technicians set up and operate lighting equipment during theatre productions. Both creative and technical, they can use lights to achieve a variety of effects to dramatically alter the mood and shape of a performance.


Andy Field is co-director of Forest Fringe, an independent mini-festival that takes place during the Edinburgh Fringe.

On the fringe of the Fringe

Andy Field is co-director of Forest Fringe, an independent mini-festival that takes place during the Edinburgh Fringe. He spoke to Creative Choices about striking out on your own.


What employers are looking for in technical staff

Working in technical theatre and live events is fun, fast-paced and rewarding. If you're curious about careers in this area, there's good news: we need more skilled technicians in lighting, sound and stage, and available routes in are changing for the better. Here are 4 things employers in the industry are actually looking for.


Chris Slann works and teaches at the Carnival Learning Centre on the Isle of Wight.

A career in carnival

Chris Slann, Sharon George and Helen Davenport work and teach at the Carnival Learning Centre on the Isle of Wight. They spoke to Creative Choices about the varied skills needed for a career working in carnival.


Anna is a director, playwright and acting tutor. She is Artistic Director of Without a Paddle Theatre.

How to master a monologue

When it's time for that acting audition, do you have your monologue prepared? Anna Jordan, director, playwright and acting tutor, offers 5 pieces of advice for mastering monologues.


Katrina Gilroy is Production Manager at the National Theatre.

Theatre production manager

Katrina Gilroy is Production Manager at the National Theatre. She describes the theatre production process and the role of production manager.


In 2012, Bruno won the Olivier Award for Best Lighting Design for his work on Frankenstein at the National Theatre.

Working as a lighting designer

Bruno Poet is an award-winning lighting designer who has worked extensively with theatre and opera companies all over the world.


Dan Howson, center, is a Business Development Director at live events company, sevens7.

Getting into live events

sevens7 are a live events company, specialising in event management, show production, tour support, event IT and brand activation. They’ve worked everything from large-scale summer festivals to the Diamond Jubilee.


Showtex provided custom confectioned LED integrated fabrics for the Opening Ceremony of the London 2012 Olympic Games.

Drapes and fabric on stage

ShowTex design and manufacture fabrics and drapes for theatre and live events. They supplied the mattresses, sheets and pillows for the ‘NHS’ segment of the London 2012 Olympics opening ceremony.


Alison has worked with deaf and hard of hearing theatre practitioners to develop a series of signs for technical theatre terminology.

Sign language for theatre

Alison Pottinger became interested in signing for theatre after stage managing a signed performance. She spoke about the skills it requires, and the opportunities signing opens up for performers and audiences.


Casting directors have only become a big part of acting over the last twenty years.

Casting director for theatre

Stuart Burt is associate casting director at The Ambassador Theatre Group, one of the UK’s leading West End theatre producers.


Wind Shadow performed by Cloud Gate Dance Theatre of Taiwan. Photo by LIU Chen-hsiang.

Admin producer at The Barbican

Malin Forbes works for Barbican International Theatre Events (BITE). When first trying to break into theatre, she spent two years living hand-to-mouth.


Most of the successful West End producers started small and have spent their lives deep in theatre.

Producing musical theatre

Anyone can be a producer – all you need is absolute determination to get a show on stage, a source of money to back you, a network of the best possible creative talent, access to a theatre, skills in budgeting and marketing, and the luck of being in the right place with the right show at the right time.


Rhiannon Ellis is the Learning & Community Engagement Manager for Theatre Royal Wakefield.

Find your creative calling

Rhiannon Ellis began her creative career as a theatre director, and is now Learning & Community Engagement Manager for Theatre Royal Wakefield. She spoke to Creative Choices about how she changed her career to work with people and communities.


Bev Adams is Artistic Director and CEO of Faceless.

Surviving the funding squeeze

Bev Adams is Artistic Director and CEO of Faceless, a professional arts organisation working to create access to the arts. She spoke to us about setting up Faceless, and her thoughts on the reduction of public spending.


How to work in costume for screen

Gayle Playford is a costume workroom manager and head costume cutter for period drama on TV. Her work has been featured in the BBC Two adaptation of Wolf Hall, among many other screen productions. Here she offers six pieces of advice for a career in costume for screen.


Despite advances in theatre technology, brushes and a basic spray gun remain tools of choice for a scenic artist.

Theatre scenic artist

Scenic artists are responsible for painting sets, scenery backdrops and large props, bringing colour to a theatre production. Leila Kalbassi is the Design Assistant/Scenic Artist for the Dundee Repertory Theatre.


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