Looking for work experience in a creative design studio? Jo Feeley, Managing Director of Trend Bible, a trend forecasting company in the North East of England gives six top tips!
Key voices from the creative and cultural industries talk about the issues that matter.
Read more about Creative Choices Live! Suffolk
Careers in the creative industries don’t always have set routes to 'getting in' like many other sectors do. Experience, passion and talent can often be more important than formal qualifications. Dianne Gillies, editor of careers website Planit, writes about how to make a start in a competitive sector.
Sienna James explains her Gold Arts Award journey.
Surviving Actors spoke to Manchester actor Lucas
A young person's view on diversity
How these two roles work
Andy Henry offers tips on getting into design
Sherice Pitter, Apprentice of the Year 2016
My story about how I came to choose this route
What you told us we should do in the 2015 survey
Why live events needs the next generation on board
Havering College say thanks for production days
This is what I told a mature Art graduate
Helping women to achieve their ambitions
A Southbank Centre apprentice shares her story
"They treat you as a proper employee"
How finding a niche can build your customer base
Growth areas in the sector
Alec Dudson, Intern Magazine founder
Leadership in the cultural and creative sector
Let’s shout about the value of apprenticeships
Learning points from the Creative Choices survey
Blog competition winner
Julie's Bicycle on becoming a sustainable creative
Get practical with your creative skills
4 steps for getting paid as a freelancer
How to build a creative career
Watch four people discuss their heritage careers
Opening up technical careers to young people
Watch performing arts professionals give advice
Equipping young people with the right skills
7 apprentices speak about their experiences
Harriet Kelsall on getting a business started
6 tips on how to survive in the retail industry
10 steps for starting a creative career
Nine young creatives talk about their careers
How to balance opportunities for writing or acting
4 things to know about music contracts
7 ways to protect yourself with No Pay acting jobs
Back from his Gap Yah, Orlando has made a film about unpaid 'intahnshups'.
Five pieces of advice for anyone aiming for a creative career.
Creating the opportunities for young people to work and train.
Key reasons to take on young staff
Do artists value money, expression, or influence?
Looking to the future of creative careers
What issues inform your artistic practice?
How the National Trust works with artists
How do you define 'making it'?
Why is diversity lacking in the music industry?
Inspiring young people through practical workshops
Changing misconceptions: an employer's perspective
Build additional skills into your design career
Ian McEwan on how short stories help new writers
Why should we value the Arts?
Do the arts favour younger artists over old?
How can 'intern culture' in the arts be improved?
Tony Hall on the importance of creative skills
How to apply storytelling to cultural leadership
Why cultural diversity matters
How a literature student got into digital media
François Matarasso on standards in the industry
How Rob Da Bank began a career as a music promoter
How a Belfast gallery brings people together
How has the music industry changed?
How do apprentices benefit employers?
Advice and inspiration for designers
Writing careers advice in the form of postcards
Nicholas Hytner on the performing arts
Disability & equality: what's in it for employers?
Can good literary writing really be taught?
A dancer and former ROH Creative Director.
What are the benefits of recycled materials?
Using art to engage hard to reach groups.
Issues facing dancers who are considering children
7 steps for setting foolproof goals
Understanding one of the hardest ‘soft skills'
What values are important to your creative brand?
Five creatives voice opinions about education
National College: applications openApply for the Professional Diploma in Technical and Production at Level 4
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