52 Creative people in total for Music
Amy turned her love of music into a job before she even graduated, and went on to a successful career which included working in A&R. She is now the Creative Director of a music publisher.
Simon runs Crew Class training courses, which provide training and advice to people entering the events and entertainment industry.
Lynette Nixon manages the box office at Manchester's Oldham Coliseum theatre and live events venue.
Jonathan started out in performance but worked his way up into a technical career. He has worked for festivals, the 2012 Olympic Games and live events venues.
Holly Haste works as an apprentice for Neon Street where she runs events, oversees projects and researches new musical talent. She told us about what her apprenticeship involves day-to-day, while her employer outlined his experiences of taking on an apprentice.
Chris Collins has a long background working with artists in roles that see him travelling the world. He shares what the music industry is really like and why it's a great place to be.
Oliver is an electrician by training, but his love of theatre led him to a career at The Crescent Arts Centre. Oliver takes care of sound, lighting and sets for a broad range of the centre’s clients.
After playing bass in a rock band, Naomi Gibbs now works as a costume designer.
As a student at South Essex College, Jack developed a passion for technical development and helping his fellow students. He is a shining example of how much a young person can achieve if supported and empowered and in 2016 was the winner of the Creative Choices Award.
After finding it difficult to access information about careers in event production, Dan set up a company to help future generations.
Deptford John has been a guitar technician for over 30 years, looking after bands' gear and instruments and teaching others how to run a tour.
Tom Marshall started working in the sound department of a West End show after his A levels and is now a successful sound engineer.
Heather is a technician at the Macrobert Arts Centre in Stirling, Scotland. From scenery to lighting and sound, she is part of a team that makes sure live performances go technically to plan.
Brian set up Production Services Ireland (PSI) in 1996 to meet the growing needs of the industry. Now Northern Ireland’s leading technical production company, they provide lighting for events such as Tennents Vital, Giro D’Italia and Riverdance production in China.
Steve started out as a trainee tape operator in 1975. He went on to become an award-winning producer, working with the likes of the Beach Boys and Culture Club. He talks about his journey in production.
For the past 40 years Bryan Grant has been managing director of Britannia Row Productions, who provide audio equipment and technicians for concerts and events around the world.
Danny started out working front-of-house at a theatre. From there he got into the technical side of staging opera and live events.
Steven "Wilky" Wilkins started out as a technician and now freelances in production carpentry. He has both a forklift truck licence and a diploma in stage make-up.
Neil Butler set up Brighton's famous, and sadly now closed, Zap Club. The former drama teacher specialises in running outdoor festivals and events.
Stage manager Josh has worked at the O2 Academy Brixton for 21 years, but his history of backstage work goes back even further. He told us about his career, from touring with Motörhead to applying farming skills to festival work, and gave 3 tips for becoming a stage manager.
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